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Jazz Articles about Eric Halvorson
Steve Millhouse: Looking Back to Today
by David A. Orthmann
In an era when athleticism, blatant egotism, and cacophony are all too common elements of jazz performance, it is refreshing to hear a record populated by players who exhibit give-and-take, musicality, and a willingness to listen and share sonic space. Six-string electric bassist Steve Millhouse's Looking Back to Today is a sterling example of a bass, saxophone, and drums trio in which each musician expresses himself to the fullest without overreaching or making a mess of things.While Millhouse, ...
Continue ReadingDavid Finck: BASSic Instinct
by Jack Bowers
There's so much variety on BASSic Instinct, bassist David Finck's sixth recording as leader, that it's almost like grooving on half a dozen or more albums for the price of one. Ensembles run the gamut from duo to octet, with vocals added on three of its thirteen engaging numbers. Besides governing the rhythm, composing three of the numbers and arranging all of them, Finck shoulders melodic duties on five tracks and solos effectively throughout. As suits his temperament, every number ...
Continue ReadingJohn Fedchock NY Sextet: Into The Shadows
by Jack Bowers
If a sextet--or a group of any size--is to be measured by the sum of its parts, trombonist John Fedchock's NY Sextet succeeds with flying colors, as it embodies half a dozen of the finest jazz musicians the New York City area has to offer. As we know, however, an inclusive appraisal rests on far more than that, else the musicians could simply set their instruments onstage and await the applause. Yes, musical talent surely provides an ...
Continue ReadingJohn Fedchock NY Sextet: Into The Shadows
by Dan Bilawsky
Trombonist John Fedchock's fluid slide work, celebrated composing chops and arranger's ingenuity have been put to good use in settings both large and very small in recent years, with a big band set and two live quartet records dropping between 2015 and the present. But rather than choose one of those ensemble formats over the other this time around, he looks to a middle ground with his NY Sextet. Painting with a three-horn frontline and rhythm section, ...
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