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Jazz Articles about Eleonora Strino


About Eleonora Strino

1

Album Review

Eleonora Strino: Lumithia

Read "Lumithia" reviewed by Marco Iacoboni


Ci sono dischi che si ascoltano e altri che si lasciano abitare, come Lumithia, il nuovo lavoro di Eleonora Strino. Tredici brani, il suono di una sola chitarra. Nessuna sovraincisione. Se l'album precedente, Matilde (CAM Jazz, 2025), in quartetto, apriva il percorso della Strino come compositrice, Lumithia ne rappresenta l'approdo più intimo. Tredici brani, una sola chitarra, nessuna sovraincisione: la chitarrista napoletana si rivela in un recital solistico che è insieme confessione personale, omaggio alla madre e viaggio ...

2

Interview

Eleonora Strino: franchezza, istinto e introspezione

Read "Eleonora Strino: franchezza, istinto e introspezione" reviewed by Marco Iacoboni


Reduce da concerti in Italia e all'estero, con alle spalle un tour americano accolto con entusiasmo e tre lavori che ne segnano con chiarezza l'evoluzione artistica--I Got Strings (CAM Jazz, 2023), Matilde (CAM Jazz, 2025) e il più recente Lumithia (CAM Jazz, 2026)--Eleonora Strino attraversa una fase intensa del proprio percorso artistico. Dalla scrittura alla dimensione solistica, dal rapporto con la tradizione jazzistica alla ricerca di una voce personale, fino al tema dell'essere donna nel jazz e all'esperienza americana, in ...

Album Review

Eleonora Strino Quartet: Matilde

Read "Matilde" reviewed by Alberto Bazzurro


Se cercate un disco “bello senz'anima" (fin dalla copertina, funzionale nonché sufficientemente ammiccante), con questo Matilde l'avete trovato. Vi agisce un quartetto con dentro almeno due elementi di vaglia (Corini e De Rossi) capitanato dalla chitarrista napoletana Eleonora Strino, attraverso otto brani tutti della leader (in un caso in comproprietà col pianista Vignali) a loro volta funzionali e ammiccanti quanto basta, nel senso che toccano corde che ogni ascoltatore avvertirà come sufficientemente familiari da farlo sentire a proprio agio, che ...

1

Liner Notes

Eleonora Strino: Matilde

Read "Eleonora Strino: Matilde" reviewed by Brian Morton


There isn't much training around for young arts interviewers, but one bit of advice that is usually thrown out is never to ask “Where do you get your ideas?" It's a seemingly banal question that can only attract banal--and sometimes very sarcastic--answers. And yet sometimes, in context, it's exactly the right question to ask. More often than one might expect, novelists, poets, and musicians are more than happy to say that the new body of work being considered began in ...

1

In Pictures

Eleonora Strino Trio at the Garda Jazz Festival 2024

Read "Eleonora Strino Trio at the Garda Jazz Festival 2024" reviewed by Danilo Codazzi


16

Interview

Eleonora Strino: Leading The Way

Read "Eleonora Strino: Leading The Way" reviewed by Ian Patterson


Any young person who dreams of becoming a jazz musician surely imagines the romance of a bohemian life spent traveling the world, playing to appreciative audiences. But it is not an easy career path. It requires complete dedication and many years of study and practice. The economics are hardly enticing either. And life on the road, for weeks or months at a time, is not for everyone. Eleonora Strino knew she wanted to be a jazz guitarist when ...

17

Album Review

Eleonora Strino: I Got Strings

Read "I Got Strings" reviewed by Ian Patterson


There comes a before-and-after moment in any jazz musician's career with their first album as a leader. For Neapolitan guitarist Elenora Strino, I Got Strings marks a transition of sorts, from band member on the projects of pianist Dado Moroni and saxophonist Emanuele Cisi, to headline grabber in her own right. In fairness, Strino has led her own trios since 2016, but it usually takes the solid currency of one's own album to make the wider world sit up and ...


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