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Bill Evans: Bill Evans Live at Ronnie Scott's
by Stefano Merighi
Dobbiamo ringraziare la determinazione e la perseveranza di Zev Feldman, inesausto ricercatore di perle musicali dei grandi del jazz, pubblicate con fierezza dalla Resonance Records. Lo scavo assiduo riguarda in particolare Bill Evans, del quale sono già comparsi alcuni dischi con concerti inediti, cui si aggiunge questo Live at Ronnie Scott's che documenta esibizioni nel celebre club londinese del luglio 1968, quando per un breve periodo il trio di Evans era composto da Eddie Gomez e Jack DeJohnette.
Continue ReadingBill Evans: Bill Evans Live at Ronnie Scott's
by Pierre Giroux
The emergence of Bill Evans as one of the jazz world's preeminent pianists was propelled by a unmistakeable style: a pensive note striking with harmonic transpositions resulting in unique voicings. This 1968 recording marks the fifth collaboration between Resonance Records and the Bill Evans Estate to bring previously unreleased material into the public domain. This 2xLP limited edition in a gatefold sleeve was co-produced by Zev Feldman of Resonance and Jack DeJohnette and was beautifully mastered by Bernie Grundman. This ...
Continue ReadingBill Evans: Bill Evans Live at Ronnie Scott's
by Troy Dostert
All fans of Bill Evans, and piano trio enthusiasts generally, owe a huge debt of gratitude to Resonance Records, which over the last decade has released a formidable series of Evans discs featuring previously unreleased material (unless you count bootlegs). Beginning with Live at Art D'Lugoff's Top of the Gate in 2012, showcasing Evans' trio with bassist Eddie Gomez and drummer Marty Morrell, the pace really quickened several years later, when Some Other Time: The Lost Session from the Black ...
Continue ReadingBill Evans: Bill Evans Live at Ronnie Scott's
by Franz A. Matzner
Bill Evans: Live At Ronnie Scott's brings to mind the phrase “on the shoulders of giants." Evans's stature in jazz history is unassailable, his influence having touched much of the music's subsequent trajectories, while also establishing a new, discernable branch of the jazz tree traceable to the present-day. A two-disc package, Bill Evans: Live at Ronnie Scott's captures the relatively brief trio configuration of Eddie Gomez and Jack DeJohnette in the natural setting of a live club performance.
Continue ReadingMerano Jazz 2017
by Giuseppe Segala
Merano Jazz 2017 Teatro Puccini Merano 10-13.07.2017 Da molti anni l'appuntamento di Merano Jazz è imperniato su tre concerti e cinque giornate intense di corsi dell'Accademia Mitteleuropea, diretti da Franco D'Andrea ed Ewald Kontschieder. In ogni edizione si invita un artista diverso per la masterclass principale, e dal 2002 sono passati nelle aule dell'Accademia musicisti del calibro di Roswell Rudd, Dave Douglas, Steven Bernstein, Tim Berne e Peter Erskine. Quest'anno era la volta di Eddie ...
Continue ReadingThe Bill Evans Trio: On A Monday Evening
by Stefano Merighi
Ricordo interviste in cui Bill Evans puntualizzava l'ossessione per l'esercizio, un'insicurezza stabile, che lo faceva provare in continuazione anche il minimo dettaglio. Sembra grottesco, all'ascolto soltanto del prologo di “Sugar Plum," dove la fraseologia evansiana sgorga come acqua di fonte e dove si intuirebbe un'innata facilità per l'assoluta padronanza strumentale. Ma evidentemente c'era un lavoro febbrile e anche un po' angosciato dietro quel tocco scultoreo, quei legami tentacolari tra linea melodica e spezzature ritmiche, quel preludiare o rapsodiare che fin ...
Continue ReadingThe Bill Evans Trio: On A Monday Evening
by Dan McClenaghan
Bill Evans, one of the most influential of jazz pianists, died in 1981. He left a legacy. The brilliant shine of his artistry gained widespread recognition in 1959 with his contribution to Miles Davis classic Kind Of Blue (Columbia Records, 1959), and surged into stellar territory with the release of his own Sunday At The Village Vanguard (Riverside Records, 1961), a trio outing featuring bassist Scott LaFaro and drummer Paul Motian. The interactivity and equality of input of that particular ...
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