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About Eddie Gomez

6

Album Review

Mike Catalano: A Trio Affair

Read "A Trio Affair" reviewed by Pierre Giroux

by Pierre Giroux

There is something comforting about the way Mike Catalano's A Trio Affair brings his musical trilogy to a close. This release returns to where the story began in 1989 with A Rio Affair, followed 18 years later by A Manhattan Affair. Listening to this album, it feels as if Catalano is less interested in revisiting those albums than in recalling what he liked about them, namely the meeting of New York jazz and Brazilian rhythms. Catalano has also ...

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12

Album Review

Mick Goodrick: In Pas(s)ing

Read "In Pas(s)ing" reviewed by Jack Kenny

by Jack Kenny

Let us start with the recording itself. For this album the quality of the recording is as important as the playing. It was made at Talent Studio in Oslo by Jan Erik Kongshaug--and is typically in the style of ECM Records: spacious, detailed, each instrument given room to breathe without being isolated from its neighbor. But here it genuinely enhances the music's atmosphere. The recording never feels artificially distant; instead, it amplifies the sense that the quartet is improvising inside ...

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17

Album Review

Mick Goodrick: In Pas(s)ing

Read "In Pas(s)ing" reviewed by Frank Housh

by Frank Housh

In Pas(s)ing, originally released in 1979, was Mick Goodrick's first and last ECM Records recording as a leader. Indeed, aside from an appearance on Charlie Haden's recording of ECM's musical manifesto The Battle Of The Fallen (1983) by the Liberation Music Orchestra, Goodrick never again appeared on an ECM recording. In Pas(s)ing will be re-issued July 10, 2026 as part of ECM's Luminessence series.The album's title is a homonym, referring to the title song and “Pasing," the name of the street and district of Munich ...

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7

Album Review

Bob Schlesinger: Falling From Earth

Read "Falling From Earth" reviewed by Joshua Weiner

by Joshua Weiner

Many a music project was derailed by the COVID-19 pandemic, but Colorado-based pianist, composer, and educator Bob Schlesinger's Falling From Earth (Self-Produced, 2025) has had a longer gestation and more interesting rebirth than most. With funding from the Pathways to Jazz fund, part of the Boulder County Arts Alliance, Schelsinger initially planned for his first release as a leader to be a trio album with legendary Bill Evans bassist Eddie Gomez and drummer Billy Drummond, whose expansive career with many ...

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15

Album Review

Bill Evans: In Norway: The Kongsberg Concert

Read "In Norway: The Kongsberg Concert" reviewed by Ian Patterson

by Ian Patterson

The release of In Norway: The Konsberg Concert coincides with the sixtieth anniversary of the Konsberg Jazz Festival. Double cause for celebration. The steady flow of archival Evans recordings shows no signs of abating, with In Norway: The Konsberg Concert, recorded in 1970, coming hot on the heels of the previously unreleased Bill Evans: Behind The Dikes: The 1969 Netherlands Recordings (2021), Bill Evans: Treasures: Solo, Trio and Orchestra Recordings from Denmark (1965-1969) (2023) and Tales: Live in Copenhagen (1964) ...

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14

Album Review

Bill Evans: In Norway

Read "In Norway" reviewed by Dan McClenaghan

by Dan McClenaghan

Pianist Bill Evans' career lasted from the late 1950s until his passing in 1980, but beginning around about 20 years into the 21st century CD releases under Evan's name have been rolling along at a brisk clip, thanks to the Resonance, Elemental and Ess- thetics Record labels. Zev Feldman, often called “The Jazz Detective," has played a big part in this steady release of mostly laudable recordings, uncovering lost or shelved tapes of Evan's concerts, resulting in albums like Bill ...

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10

Liner Notes

Bill Bruford: The Summerfold Collection 1987-2008

Read "Bill Bruford: The Summerfold Collection 1987-2008" reviewed by John Kelman

by John Kelman

Intrepid percussionist/composer/bandleader Bill Bruford began his career in the late '60s art-rock arena with Yes and, later, King Crimson, but jazz has always moved underneath, like an eddying current. His early recordings, well documented on the companion Winterfold Collection, may not speak the language of jazz, but they possess its spirit. By 1986, Bruford was looking for a new path. Crimson had again dissolved, the 1981-'84 incarnation having provided him with the opportunity to explore nascent electronic drum ...

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