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About Dayeon Seok

Album Review

Kevin Sun: The Depths of Memory

Read "The Depths of Memory" reviewed by Vincenzo Roggero

by Vincenzo Roggero

Kevin Sun è un ancor giovane sassofonista e compositore newyorkese di origini asiatiche non troppo conosciuto alle nostre latitudini, ma già autore di numerosi lavori che lo hanno segnalato alla critica d'oltreoceano e fatto crescere in considerazione presso i suoi colleghi. Sun è musicista dotato di grande talento ed altrettanta grande ambizione -soprattutto compositiva-come ben illustrato dai due doppi cd The Sustain of Memory (Endectomorph, 2019) e il suo ideale seguito The Depths of Memory, suddiviso come il precedente in ...

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Album Review

Russ Lossing: Alternative Side Parking Music

Read "Alternative Side Parking Music" reviewed by Maurizio Zerbo

by Maurizio Zerbo

Oltre a riflettere la musica del proprio tempo, i progetti dei jazzisti sono direttamente collegati alla quotidianità delle loro esistenze. Paradigmatica è in tal senso la scrittura per questo CD, pensata durante le ore impiegate da Russ Lossing per parcheggiare la propria automobile nei giorni in cui la sosta è consentita in un solo lato della strada. E non è un caso se lo spigoloso brano d'apertura, quasi monkiano, evoca con il suo andamento asimmetrico la strada percorsa ...

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Album Review

Kevin Sun: The Depths of Memory

Read "The Depths of Memory" reviewed by Dan McClenaghan

by Dan McClenaghan

Saxophonist/composer Kevin Sun's 2 CD set, The Depths Of Memory, is said to be more suited to focused listening than to the “convivial distractions of a jazz club." That rings true. From CD 1's opener, “All This Stillness," subdivided into seven sections, the album finds the saxophonist and his bandmates sounding as if they have slipped into a flow. Sun says he wanted the feeling of “being swept along in a current of musical thought over a period of time." ...

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5

Album Review

Russ Lossing: Alternate Side Parking Music

Read "Alternate Side Parking Music" reviewed by Dan McClenaghan

by Dan McClenaghan

Pianist Russ Lossing is not one to let imposed downtime go to waste. The imposition comes from New York City's regulations concerning alternate side parking which requires, only one day per week, that cars park on one side of the street, for street cleaning purposes. The evening car-moving causes jostling. Sometimes open spots are not readily available. Parallel parking is often required, as is (temporary, we can assume) double parking. Time in the driver's seat results. Lossing put this time ...

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1

Album Review

Michael Sarian: New Aurora

Read "New Aurora" reviewed by Angelo Leonardi

by Angelo Leonardi

Giunto al quarto album da leader, Michael Sarian esplora una direzione espressiva diversa da quanto evidenziato col settetto Michel Sarian & the Chabones e con la big band The Big Chabones. Ispirandosi allo stile di trombettisti come Kenny Wheeler, Tomasz Stanko ed Enrico Rava, il trombettista—di famiglia armena, canadese di nascita, argentino di formazione e newyorchese da una decina d'anni—accentua l'estetica impressionista già evidente in Leon con brani lenti ed evocativi, talvolta legati alla tradizione musicale armena. ...

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1

Album Review

Kevin Sun: The Sustain of Memory

Read "The Sustain of Memory" reviewed by Neri Pollastri

by Neri Pollastri

Il secondo album da leader del trentenne sassofonista e clarinettista newyorchese Kevin Sun è un'opera lunga, due CD, e complessa, articolata su tre suite diverse per organico e clima. La prima suite—"The Middle of Tension," in sei parti per un totale di trentasei minuti—vede di scena un classico quartetto, nel quale Sun è accompagnato dal pianoforte di Dana Saul, dal contrabbasso di Walter Stinton e dalla batteria di Matt Honor. Ed è il pianoforte, con la frammentarietà e ...

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Album Review

Michael Sarian: New Aurora

Read "New Aurora" reviewed by Jerome Wilson

by Jerome Wilson

Trumpeter Michael Sarian leads two large-sized groups, The Chabones and The Big Chabones, that utilize multiple horns and electronic sounds in high energy arrangements. This quartet recording is a different story. Sarian is the lone horn here, playing trumpet on the first track and flugelhorn on the rest, while the music itself is strictly acoustic. Much of it has a gentle, folkish presence, although the leader's wilder impulses also make their presence known. The music's quiet side emerges ...

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