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Matt Wilson's Good Trouble: Love Is The Whole Thing, We Are Only Pieces
by Pierre Giroux
Drummer Matt Wilson has never needed a soapbox to make a point. His drumming has always been open, as if the music has something to say. It makes sense, then, that Wilson has reconvened Good Trouble to continue making good music with good people, which he considers the most effective form of dissent. With Tia Fuller and Anisha Rush on alto saxophones, Jeff Lederer on tenor saxophone and clarinet, Dawn Clement on piano and vocals, and Ben Allison on acoustic ...
Continue ReadingDawn Clement: Dear Ms. Dearie
by Paul Rauch
In giving this album a listen, it is difficult not to jump between the original recordings of the great Blossom Dearie, and those newly recorded by modern-day pianist/vocalist Dawn Clement. After all, those who have followed Clement's career have heard the comparisons between the two, particularly the vocal style that those critiquing Dearie referred to as “distinctive," “light," and “girlish." The separator here is that Dearie, while lauded for her original piano style, is more renowned for her colorful, poetic ...
Continue ReadingSue Cahill: Evanstonia
by Mike Jurkovic
Double bassist/composer Sue Cahill's Evanstonia kicks off with one of those olde-tyme a-ratta-tat-tat and a-ratta-tat-tat courtesy of drummer Dru Heller (Don Byron, Greg Osby) that can sweep a listener off into one of those musical moments that lock in at the moment, escort attention elsewhere for a while, then return one safely to the moody environs and everyday routine.Evanstonia is a mellow bit of magic. It is never truly meant to challenge, but it is hardly derivative and ...
Continue ReadingDawn Clement: Delight
by Paul Rauch
Pianist / vocalist / composer Dawn Clement has appeared on plenty of recordings, both as a sideperson and leader, but she has perhaps never quite accomplished what she has here with Delight, on the Origin Records label. There are balances achieved with this record that fans of the long-time Seattle, now Denver-based Clement can eagerly wrap their collective arms around. Her intrepid curiosity and virtuosity have been a given in the jazz world for many years, playing with ...
Continue ReadingAlbum Review
Esthesis Quartet: Sound & Fury
by Vincenzo Roggero
Sound & Fury è legato a doppio filo a due eventi ravvicinati nel tempo. Da una parte il periodo pandemico nel quale i futuri membri del quartetto condividono via Zoom esperienze, motivazioni, obiettivi che porteranno alla formazione ufficiale del gruppo denominato Esthesis. Dall'altra la prematura scomparsa nel marzo 2022 di Ron Miles, mentore di due componenti della formazione, al quale è dedicata la suite che comprende i primi quattro brani. In origine lo stesso Miles doveva essere parte ...
Continue ReadingSpencer Zweifel: The Life or Death Situation
by La-Faithia White
Spencer Zweifel is an accomplished jazz pianist who graduated in 2019 with a degree in jazz studies from the University of Northern Colorado. He won best pop/rock soloist in the 2018 Downbeat magazine student awards. In 2021, Spencer completed a master's in jazz studies at William Paterson University, where he studied with Bill Charlap, Aaron Diehl and Geoffrey Keezer. In 2020 he formed the Spencer Zweifel Quintet, which has released two records, including Before It's Too Late (Self Produced, 2022). ...
Continue ReadingDawn Clement / Steve Kovalcheck / Jon Hamar: Dawn Clement / Steve Kovalcheck / Jon Hamar
by Dan Bilawsky
A trio sans drums offers the opportunity for a capacious clarity that you can't find anywhere else. And this particular collective with pianist Dawn Clement, guitarist Steve Kovalcheck and bassist Jon Hamar embraces that possibility while highlighting an inviting style all its own. Splitting compositional duties and showcasing an empathetic sixth sense that involves baton-passing bonhomie, dovetailing joints, melodic volleying, conversational chemistry, steady support and sympathy, these three demonstrate what egoless creativity is all about. There is ...
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