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Jazz Articles about David Sanborn

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Radio & Podcasts

Music From The '80s, With Neil Larsen, Dave Weckl And David Sanborn

Read "Music From The '80s, With Neil Larsen, Dave Weckl And David Sanborn" reviewed by Len Davis


We begin with music from the '80s including Neil Larsen, Full Moon, Brandon Fields, Dave Weckl, David Sanborn and Miles Davis. Japanese band Casiopea and recent releases from Evgeny Pobozhiy, Swedish drummer Jonathan Lundberg, and piano and keyboard player from Russia Eldar Djangirov.Playlist Neil Larsen “Carnival" from Through Any Window (MCA) 00:00 Full Moon “Little Cowboys" from Full Moon (Warner) 05:58 Brandon Fields “The Face On Mars" from Other Places (Nova) 12:00 Dave Weckl “Festival De Ritmo" from ...

4
Liner Notes

Steve Khan: Arrows

Read "Steve Khan: Arrows" reviewed by AAJ Staff


By Steve Khan With The Blue Man not selling as well as Tightrope, Dr. George Butler requested that I have a co-producer for the next CD. I was lucky to be able to land the engineering / production talents of my old and dear friend, Elliot Scheiner. Elliot and I had recorded together on countless sessions, but perhaps most people link us together because it was Elliot who recommended me to Donald Fagen and Walter Becker for AJA, which, of ...

11
Interview

David Sanborn: Night Music and Beyond with Hal Willner

Read "David Sanborn: Night Music and Beyond with Hal Willner" reviewed by Ludovico Granvassu


Could you imagine tuning in to national network TV today and finding a 60-minute weekly music show focusing on forward-looking musicians driven by a desire to push the envelope rather than to “entertain?" A music show sponsored by a beer company, on top of that? It's hard to believe today. But for two seasons at the end of the 1980s, Michelob Presents Night Music was that and much more. It was a playground where established names like Sonny Rollins and ...

28
SoCal Jazz

David Sanborn: The Curtain Rises on Sanborn Sessions

Read "David Sanborn: The Curtain Rises on Sanborn Sessions" reviewed by Jim Worsley


Listed alphabetically, as opposed to first, second, and third place, Cannonball Adderley, Charlie Parker, and David Sanborn are as good as it gets when discussing the best and most influential alto saxophone players of all-time. Now before you say what about Phil Woods or Kenny Garrett or any number of others, let me qualify that this is my list, my opinion. Not some carved in stone official list that has been sealed and notarized by some sort of imaginary Grand ...

7
SoCal Jazz

David Sanborn: Stick Out Your Tongue

Read "David Sanborn: Stick Out Your Tongue" reviewed by Jim Worsley


It was a Sunday afternoon to remember for all of us. It was a most special day for a myriad of reasons. Multi Grammy award winning saxophonist David Sanborn was at the heart of it all. A big part of the story involves a little boy. An eleven year old named Isaac who plays the saxophone and idolizes Sanborn. He, not surprisingly, was elated to learn that he, along with his mom and my wife and I, was ...

7
Book Review

Shakin' All Over: Popular Music and Disbaility

Read "Shakin' All Over: Popular Music and Disbaility" reviewed by Ian Patterson


Shakin' All Over: Popular Music and Disability George McKay 230 pages ISBN: #978-0-472-05209-7 University of Michigan Press 2013 Given the vast quantities written about popular music culture it is perhaps surprising that so little critical space has been given to disability and popular music. Despite this anomaly, author George McKay, Professor of Cultural Studies at the University of Salford, argues that there exist identifiable and powerful links between popular music and the “damaged" ...

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Extended Analysis

The Complete Arista Albums Collection

Read "The Complete Arista Albums Collection" reviewed by John Kelman


When fusion first emerged in the late 1960s/early '70s with artists like trumpeter Miles Davis, pianist Chick Corea and guitarist John McLaughlin, the emphasis was on guitar and keyboard heavy lineups like Return to Forever and Mahavishnu Orchestra, with an equally strong predilection for the intensity and volume of rock and a kind of thundering funk that was different than the kind of music coming from R&B and soul artists like Stevie Wonder and Earth, Wind & Fire. Parallel to ...


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