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Jazz Articles about Darius Jones

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Album Review

Eric Revis: Slipknots Through a Looking Glass

Read "Slipknots Through a Looking Glass" reviewed by Troy Dostert


Bassist Eric Revis typically has so many ideas in play that it's virtually impossible for him to limit himself to one ensemble at a time. This is one of the reasons why he's used a variety of groups over the years to deliver his music. His trio with pianist Kris Davis and drummer Andrew Cyrille released City of Asylum (Clean Feed) in 2013, and then another iteration of the trio, Crowded Solitudes (Clean Feed) in 2016, with Gerald Cleaver taking ...

2
Live From New York

Darius Jones, Mara Rosenbloom, Christian McBride, Tom Harrell & Leon Parker

Read "Darius Jones, Mara Rosenbloom, Christian McBride, Tom Harrell & Leon Parker" reviewed by Martin Longley


The Darius Jones Quintet/The Mara Rosenbloom Trio Ibeam June 13, 2016 This appealing double bill made a Monday night visit to Ibeam a certainty, even if only for a select-sized audience. This musician-orientated room in the Gowanus part of Brooklyn is completely dedicated to the activity of performance, without a bar, or snack hatch, reminiscent of The Stone in Manhattan. The stage, or rather, the far floor-corner, is surrounded with acoustic baffles that add ...

Album Review

Darius Jones Quartet, Emilie Lesbros: Le bébé de Brigitte (Lost in Translation)

Read "Le bébé de Brigitte (Lost in Translation)" reviewed by Alberto Bazzurro


La Brigitte del titolo è Brigitte Fontaine, artista “totale" (cantante, poetessa e altro ancora) francese, oggi settantaseienne, che fra le tante esternazioni del suo talento nel 1970 registrò un album, Comme à la radio, con l'Art Ensemble of Chicago. A lei il trentasettenne altoista Darius Jones, nativo della Virginia, dedica questo suo nuovo lavoro, per il quale, non a caso, convoca un'altra cantattrice francese, Emilie Lesbros, e con lei (fra l'altro coautrice, testi--quasi ovunque in francese--e musiche, di tutto il ...

Album Review

Black Host: Life in the Sugar Candle Mines

Read "Life in the Sugar Candle Mines" reviewed by AAJ Italy Staff


Gerald Cleaver è tra i musicisti più versatili della scena odierna. Molto apprezzato dai colleghi, lo si può incontrare in contesti molto diversi, da quello di carattere libero ed esplorativo al più strutturato e perfino mainstream, e sempre la sua percussione si rivela adeguata, ricettiva, ricca di autorevole personalità. Sono così numerose le occasioni in cui si incontra la sua batteria, che potrebbero rappresentare una eloquente e ampia mappa del jazz contemporaneo, con ben poche lacune. Anche i suoi lavori ...

100
Album Review

Darius Jones: Big Gurl (Smell My Dream)

Read "Big Gurl (Smell My Dream)" reviewed by John Sharpe


In Man'ish Boy (A Raw & Beautiful Thing) (AUM Fidelity, 2009), alto saxophonist Darius Jones scored a stunning debut that placed the newcomer firmly on the avant jazz map. Since then, the reedman has put himself about town, tasting artistic success with drummers William Hooker, and Mike Pride's ensembles, collective Little Women and in duet with pianist Matthew Shipp. But now he returns in the company of the trio first heard on a bonus track from his inaugural outing, comprising ...

205
Album Review

Darius Jones Trio: Big Gurl (Smell My Dream)

Read "Big Gurl (Smell My Dream)" reviewed by Troy Collins


Darius Jones' debut recording, Man'ish Boy (A Raw & Beautiful Thing) (AUM Fidelity, 2009), heralded the arrival of an important new voice on alto saxophone. Big Gurl (Smell My Dream) is the second release in an ongoing series of concept records slated to document Jones' personal development--from his origins in Richmond, Virginia to his relocation as a member of New York's fertile Brooklyn scene. Eschewing the star power of his first album, which included multi-instrumentalist Cooper-Moore and drummer Rakalam Bob ...

131
Album Review

Darius Jones Trio: Big Gurl (Smell My Dream)

Read "Big Gurl (Smell My Dream)" reviewed by Nic Jones


As of right now, alto sax man Darius Jones is one of the more distinctive voices; his vocabulary informed as much by the street as it is the academy, but his reach ensuring that this amounts to more than a fine balance between heart and head. He takes risks, too, considering that the trio lineup of sax, bass and drums is historically well-represented on record. But this band has its own things going on, despite its precedents. ...


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