Jazz Articles about Cootie Williams

About Cootie Williams

Album Review

Ella Fitzgerald: Ella Fitzgerald Live at Falkoner Theatre Copnhagen 1966

Read "Ella Fitzgerald Live at Falkoner Theatre Copnhagen 1966" reviewed by Jack Kenny

by Jack Kenny
July 2, 2026

The night before Ella Fitzgerald's historic concert with Duke Ellington in Stockholm, she played two concerts in Copenhagen. For Ella Fitzgerald, this was like playing at home because she had an apartment in the city. It was one place where she felt relaxed and it shows in the music. It is Fitzgerald at her most at ease. In fact, she sings more at this concert than she did in Stockholm The tape emanates from a Danmarks Radio broadcast, ...

Album Review

Duke Ellington: Copenhagen 1964

Read "Copenhagen 1964" reviewed by Jack Kenny

by Jack Kenny
March 3, 2026

All Duke Ellington concerts offered music of substance. Audiences listened patiently through the medleys and Tony Watkins' vocals. Some performances, however, stood apart because they contained material that was fresh--music not yet worn thin by repetition, where both the thinking and playing could still surprise. Ellington, Billy Strayhorn, and the orchestra toured Asia (the “Far East") in 1963. Rather than immediately writing new compositions, they deliberately allowed the impressions of the journey to settle, preferring that the process ...

Book Review

Concerto for Cootie. The Life and Times of Cootie Williams

by Richard J Salvucci
December 4, 2025

Cootie. The Life and Times of Cootie Williams Steven C. Bowie 443 Pages ISBN: #9781496859440 University Press of Mississippi 2025 Benny Goodman, who had employed Harry James and Ziggy Elman in his nonpareil 1937 trumpet section, preferred trumpeter Cootie Williams to them, admiring his “unlimited power." Williams had come up with Chick Webb and Fletcher Henderson. When he left Duke Ellington to join Goodman, it was big news, both for Ellington and for ...

Extended Analysis

Duke Ellington's Concert of Sacred Music

by Chuck Lenatti
June 1, 2025

In 1964, Dean D.J. Bartlett and the Reverend John S. Yaryan invited Duke Ellington and his orchestra to present a concert to consecrate the renovated Grace Cathedral on Nob Hill in San Francisco during a year-long festival of Grace. At first, Duke demurred. In his autobiography, Music Is My Mistress (Da Capo, 1976), Ellington explained why he changed his mind: It has been said once that a man who could not play the organ or any ...