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About Chuck Redd

2

Radio & Podcasts

Michael Dease, Betty Bryant, Miles Donahue & Chuck Redd

Read "Michael Dease, Betty Bryant, Miles Donahue & Chuck Redd" reviewed by Joe Dimino

by Joe Dimino

We begin the first episode of 2026 with a salute to percussionist & vibraphonist Chuck Redd for standing up to political corruption. He kicks off the 941st Episode of Neon Jazz with music off his 2024 collaboration with Nate Najar off the album Meet The Graingers. From there, we step into the Kansas City-born legendary figure Betty Bryant with music off her 2026 album Nothin Better to Do. From there, we get a whole host of new tunes from Cordite, ...

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27

Album Review

The Scott Silbert Quartet: Dream Dancing

Read "Dream Dancing" reviewed by Jack Bowers

by Jack Bowers

The year 2025 marks the centenary of the birth of John Haley Sims, known around the world by his singular nickname, Zoot, a colossus of the saxophone who left this world far too soon in March 1985. Yet even though Zoot's physical presence is absent, his insuperable spirit lives on via Dream Dancing, a marvelous tribute by saxophonist and Sims enthusiast Scott Silbert and his masterful quartet.While there is no debating that there was only one Zoot Sims, ...

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30

Album Review

Jill McCarron Trio: Gin

Read "Gin" reviewed by Jack Bowers

by Jack Bowers

Gin, pianist Jill McCarron says of the title of her second recording as leader of the Jill McCarron Trio, refers to the card game of that name, and not to the alcoholic beverage. She balances the joy of winning with the luck of the draw in her entrancing three-part suite. While McCarron leads an admirable threesome (Paul Gill, bass; Andy Watson, drums), this is a trio album with an asterisk, as saxophonist Vincent Herring sits in on four numbers (including ...

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6

Album Review

Diane Marino: I Hear Music

Read "I Hear Music" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

"I Hear Music," from Nashville-based vocalist, pianist and arranger Diane Marino, is a twelve-track retrospective of selections--famous and not so--drawn from the Songbook, as well as being associated with such great artists as Dakota Staton, Ella Fitzgerald, Anita O'Day, and others. The opener, the rarely heard “I Hear Music," is Marino's fine upbeat take on an old Burton Lane & Frank Loesser tune from a forgetable pre-WWII film, “Dancing on a Dime" (Paramount Pictures, 1940). It is ...

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6

Album Review

Uptown Vocal Jazz Quartet: Fools For Yule

Read "Fools For Yule" reviewed by Richard J Salvucci

by Richard J Salvucci

Before you simply scroll past to say, “Oh boy, another Christmas recording," stop. This one is different, hip and fun. If you remember the classic done by Manhattan Transfer years ago, which you may have well memorized by now, you are ready for another one. “I've Got My Love to Keep Me Warm," the set's opener, will not (thankfully) conjure up Les Brown. “Fool For Yule" is entertaining, wry, and, in its way, a bit, arch. With yet ...

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6

Interview

Chuck Redd: 40 Years On the Road

Read "Chuck Redd: 40 Years On the Road" reviewed by Mark Robbins

by Mark Robbins

Chuck Redd is a busy, busy man. This interview took place after one of his many sets during the North Carolina Jazz Festival, which celebrated its fortieth anniversary at the beginning of 2020. Coincidently, Redd is also celebrating his 40th anniversary of being on the road as one of the most versatile and in-demand drummers and vibraphonists on the jazz scene today. Just in the next few months he's performing with Nate Najar in St. Petersberg, Fl for a Bossa ...

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5

Live Review

Chuck Redd With the Kevin Bales Trio At The Jazz Corner

Read "Chuck Redd With the Kevin Bales Trio At The Jazz Corner" reviewed by Martin McFie

by Martin McFie

Chuck Redd with the Kevin Bales Trio The Jazz Corner Hilton Head Island, SC January 3-4, 2020 Masterful musicians make excellence look easy. It's not always immediately obvious, the quality becomes evident through its sustained presence, like a spreading smile. The band opened with “Tricotism" written by early bebop bassist Oscar Pettiford and first played by his Modern Quintet in 1954. Kevin Bales led them off with a quiet piano introduction picked up ...

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