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Jazz Articles about Chris Potter

137
Album Review

Joris Teepe Quintet: For Adults Only

Read "For Adults Only" reviewed by Jim Santella


The album’s title comes from Joris Teepe’s title track. “For Adults Only," a serious hard bop anthem, drives the listener through a strenuous tenor battle by the quintet’s two-saxophone front line. It’s a unique sound, and the propulsion from this rhythm section makes it work. Don Braden and Chris Potter have distinct saxophone voices, making it easier for the listener to identify each. Their conversation closes out “For Adults Only," as the duel turns into a riot. Similarly, Freddie Hubbard’s ...

201
Album Review

Joris Teepe: For Adults Only

Read "For Adults Only" reviewed by Joel Roberts


Dutch-born bassist Joris Teepe lined up some of the most impressive young talent in New York for his debut release on the newly revived Postcards label. Recorded live at Small's, the late-night musicians' hangout in Greenwich Village, the album captures Teepe and a formidable front line of saxophonists Don Braden and Chris Potter, along with in-demand pianist David Hazeltine and drummer Bruce Cox, in a spirited set of up-to-the-minute New York jazz.

Teepe - a former student of Ron Carter ...

108
Album Review

Sarah Jane Cion: Moon Song

Read "Moon Song" reviewed by C. Michael Bailey


A New Face on Jazz. Sarah Jane Cion, the conservatory-trained (the New England Conservatory) phenomenon, was awarded First Place in the 1999 Great American Jazz Piano Competition in Jacksonville Florida. From there she found her way into the arms of Naxos Jazz, which has now has produced her first recording as a leader, Moon Song. She is a well-schooled musician (teaching at Tufts) without being academic. Cion has previously recorded with Marian McPartland, Mike Stern, Antonio Hart and Herve Jeanne. ...

166
Album Review

Sarah Jane Cion: Moon Song

Read "Moon Song" reviewed by C. Michael Bailey


A New Face on Jazz. Sarah Jane Cion, the conservatory-trained (the New England Conservatory) phenomenon, was awarded First Place in the 1999 Great American Jazz Piano Competition in Jacksonville Florida. From there she found her way into the arms of Naxos Jazz, which has now produced her first recording as a leader, Moon Song. She is a well-schooled musician (teaching at Tufts) without being academic. Cion has previously recorded with Marian McPartland, Mike Stern, Antonio Hart and Herve Jeanne. On ...

265
Album Review

Joanne Brackeen: Pink Elephant Magic

Read "Pink Elephant Magic" reviewed by Glenn Astarita


One of the great pianist’s and unsung heroes in Modern Jazz returns in incendiary and dynamic fashion. Joanne Brackeen’s Pink Elephant Magic is stunning, articulate and easily one of the premier jazz recordings of 1999.

The title track and opener, “Pink Elephant Magic” is simply an outstanding composition! The complex and seemingly difficult to perform arrangement is multifaceted, cleverly orchestrated and superior in scope and altogether artfully constructed. Brackeen, with the assistance of Nicholas Payton (trumpet), Chris Potter (soprano sax) ...

156
Album Review

Joanne Brackeen: Pink Elephant Magic

Read "Pink Elephant Magic" reviewed by Jack Bowers


This new recording showcases not one but two of Joanne Brackeen’s conspicuous talents, and is uplifted not only by her exemplary keyboard work but her persuasive writing as well. Brackeen, now some 30 years removed from her early service with Art Blakey’s Jazz Messengers, writes with clear images in mind, and the results can be observed in such charming sound portraits as “Pink Elephant Magic,” “Ghost Butter,” “Filene’s,” “Beethoven Meets the Millennium in Spain” and “Cram ’n Exam” (a note–heavy ...

219
Album Review

JoAnne Brackeen: Pink Elephant Magic

Read "Pink Elephant Magic" reviewed by Jim Santella


From the march tempo and hard bop power of “Pink Elephant Magic" to the drifting ballad waltz time of “Filene’s," JoAnne Brackeen’s latest album covers a lot of territory. The pianist’s seven compositions, coupled with three familiar pieces, provide variety and result in a well-rounded set. Bret Primack’s informative liner notes are available on the ‘net at http://www.arkadiarecords.com . Brackeen has a forceful keyboard style that drives her ensemble with percussive power. Her thirty-year career includes experience with Art Blakey, ...


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