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Joris Teepe Quintet: For Adults Only
by Jim Santella
The album’s title comes from Joris Teepe’s title track. For Adults Only," a serious hard bop anthem, drives the listener through a strenuous tenor battle by the quintet’s two-saxophone front line. It’s a unique sound, and the propulsion from this rhythm section makes it work. Don Braden and Chris Potter have distinct saxophone voices, making it easier for the listener to identify each. Their conversation closes out For Adults Only," as the duel turns into a riot. Similarly, Freddie Hubbard’s ...
Continue ReadingJoris Teepe: For Adults Only
by Joel Roberts
Dutch-born bassist Joris Teepe lined up some of the most impressive young talent in New York for his debut release on the newly revived Postcards label. Recorded live at Small's, the late-night musicians' hangout in Greenwich Village, the album captures Teepe and a formidable front line of saxophonists Don Braden and Chris Potter, along with in-demand pianist David Hazeltine and drummer Bruce Cox, in a spirited set of up-to-the-minute New York jazz.
Teepe - a former student of Ron Carter ...
Continue ReadingSarah Jane Cion: Moon Song
by C. Michael Bailey
A New Face on Jazz. Sarah Jane Cion, the conservatory-trained (the New England Conservatory) phenomenon, was awarded First Place in the 1999 Great American Jazz Piano Competition in Jacksonville Florida. From there she found her way into the arms of Naxos Jazz, which has now has produced her first recording as a leader, Moon Song. She is a well-schooled musician (teaching at Tufts) without being academic. Cion has previously recorded with Marian McPartland, Mike Stern, Antonio Hart and Herve Jeanne. ...
Continue ReadingSarah Jane Cion: Moon Song
by C. Michael Bailey
A New Face on Jazz. Sarah Jane Cion, the conservatory-trained (the New England Conservatory) phenomenon, was awarded First Place in the 1999 Great American Jazz Piano Competition in Jacksonville Florida. From there she found her way into the arms of Naxos Jazz, which has now produced her first recording as a leader, Moon Song. She is a well-schooled musician (teaching at Tufts) without being academic. Cion has previously recorded with Marian McPartland, Mike Stern, Antonio Hart and Herve Jeanne. On ...
Continue ReadingJoanne Brackeen: Pink Elephant Magic
by Glenn Astarita
One of the great pianist’s and unsung heroes in Modern Jazz returns in incendiary and dynamic fashion. Joanne Brackeen’s Pink Elephant Magic is stunning, articulate and easily one of the premier jazz recordings of 1999.
The title track and opener, “Pink Elephant Magic” is simply an outstanding composition! The complex and seemingly difficult to perform arrangement is multifaceted, cleverly orchestrated and superior in scope and altogether artfully constructed. Brackeen, with the assistance of Nicholas Payton (trumpet), Chris Potter (soprano sax) ...
Continue ReadingJoanne Brackeen: Pink Elephant Magic
by Jack Bowers
This new recording showcases not one but two of Joanne Brackeen’s conspicuous talents, and is uplifted not only by her exemplary keyboard work but her persuasive writing as well. Brackeen, now some 30 years removed from her early service with Art Blakey’s Jazz Messengers, writes with clear images in mind, and the results can be observed in such charming sound portraits as “Pink Elephant Magic,” “Ghost Butter,” “Filene’s,” “Beethoven Meets the Millennium in Spain” and “Cram ’n Exam” (a note–heavy ...
Continue ReadingJoAnne Brackeen: Pink Elephant Magic
by Jim Santella
From the march tempo and hard bop power of Pink Elephant Magic" to the drifting ballad waltz time of Filene’s," JoAnne Brackeen’s latest album covers a lot of territory. The pianist’s seven compositions, coupled with three familiar pieces, provide variety and result in a well-rounded set. Bret Primack’s informative liner notes are available on the ‘net at http://www.arkadiarecords.com . Brackeen has a forceful keyboard style that drives her ensemble with percussive power. Her thirty-year career includes experience with Art Blakey, ...
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