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Nicolas Genest: Danhomey Songs
by Fran Kursztejn
Danhomey Songs is French-Beninese trumpeter Nicolas Genest's first record as leader since 2015. Despite a voraciously prolific career working with just about every Francophone master working today, but specifically under the tutelage of Aldo Romano and Henri Texier, he has only produced a handful of recordings as bandleader. Perhaps it is the personages he usually finds himself supporting, the idiosyncratic duo of Romano and Texier or titanic conductors like Terence Blanchard and Wynton Marsalis, or the simple fact of his ...
Continue ReadingGonzalo Rubalcaba, Chris Potter, Larry Grenadier & Eric Harland: First Meeting: Live at Dizzy’s Club
by Mike Jurkovic
Let us not beat around the bush or obfuscate the obvious: First Meeting: Live at Dizzy's Club is as sweet a listen anyone can wish for or expect as simpatico luminaries--pianist Gonzalo Rubalcaba, saxophonist Chris Potter, bassist Larry Grenadier and drummer Eric Harland--take to Dizzy's stage. And command it, but not with a heavy hand or selfish aspirations. A dazzling portent, First Meeting: Live at Dizzy's Club opens all the doors and windows facing Columbus Circle and lets a most ...
Continue ReadingMike Holober & The Gotham Jazz Orchestra: This Rock We're On: Imaginary Letters
by Jack Bowers
This Rock We're On, acclaimed composer and pianist Mike Holober's 2024 recording as leader of the Gotham Jazz Orchestra, is challenging to summarize in mere words, as it consists of a multi-part suite (on two CDs) which blends jazz, classical and art songs in a thematic environment that uses a series of “imaginary letters" from a half dozen writers, artists and activists. Holober's orchestral response to them is the premise for “a meditation on the beauty of nature and the ...
Continue ReadingCarl Allen: Tippin'
by Pierre Giroux
Drummer Carl Allen's release Tippin' is an opportune occasion, as it is Allen's first album as a leader in over twenty years. For this storytelling experience, Allen brought together two luminaries of modern jazz: the internationally renowned bassist Christian McBride and the phenomenal horn player Chris Potter. The trio created a cohesive and compelling narrative, resulting in an album that stands out in its ability to balance spontaneity and structure. It is a free-flowing experience that feels both natural and ...
Continue ReadingKenny Wheeler Legacy: Some Days Are Better: The Lost Scores
by Francesco Varriale
A distanza di pochi mesi dal decennale della scomparsa di Kenny Wheeler (avvenuta il 18 settembre 2014) e in prossimità di quello che sarebbe stato il suo novantacinquesimo compleanno, la Greenleaf Music pubblica un omaggio al musicista canadese, le cui composizioni vengono proposte secondo arrangiamenti dell'autore che mai erano stati eseguiti in questa forma. Si tratta di un ambito--quello della musica per ensemble allargati--che Wheeler ha più volte curato nella sua vasta produzione artistica, a cominciare da Windmill ...
Continue ReadingCarl Allen: Tippin'
by Dan Bilawsky
Save for a pair of co-led albums with bassist Rodney Whitaker, it's been more than two decades since master drummer Carl Allen released an album under his own name. Rectifying the situation, he delivers this high-appeal, in-the-pocket trio program with bassist Christian McBride and tenor saxophonist Chris Potter. When choosing the personnel for Tippin', McBride was the obvious bass choice from the beginning. There's tremendous shared history here--McBride appears on more of the drummer's recordings than any ...
Continue ReadingRenee Rosnes: Crossing Paths
by Katchie Cartwright
In the course of a career that began in the 1980s and continues to flourish, Renee Rosnes has developed an extraordinary sound, both as a composer and as a pianist, one that is readily recognizable whatever the context. With Crossing Paths, she taps into longstanding affinities and affection for Brazilian music, illuminating elements and flavors that distinguish her singular style, animating the band and the material with her arranging magic. She opens the curtain with “Frevo," grabbing the ...
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