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Jazz Articles about Brandon Lee

6
Liner Notes

New Faces: New Sounds

Read "New Faces: New Sounds" reviewed by Dan Bilawsky


While established forces typically radiate clout and currency, it's the new faces, beaming with hope and the promise for what's to come, that tend to shine brightest. Posi-Tone Records, not surprisingly, supports that line of thinking. Promoting emerging artists has long been a mission for the label, which prides itself on seeking out and nurturing burgeoning talent, and this aptly named project, launched with one group of individuals on 2018's Straight Forward and carried to tremendous heights with different personnel ...

28
Album Review

Joe McCarthy's New York Afro Bop Alliance Big Band: The Pan American Nutcracker Suite

Read "The Pan American Nutcracker Suite" reviewed by Jack Bowers


Yes, Peter Tchaikovsky's timeless Nutcracker Suite is basically holiday music; and, yes, the 2022 holiday season is squarely in everyone's rear-view mirror. Even so, there is always room for a fresh approach to the annual festive staple, which is what drummer Joe McCarthy's New York Afro Bop Alliance Big Band brings to The Pan American Nutcracker Suite. The Nutcracker has been rhythmically amended before, but never quite like this, as McCarthy and the band use the strong ...

9
Album Review

Joe McCarthy's Afro Bop Alliance Big Band: The Pan American Nutcracker Suite

Read "The Pan American Nutcracker Suite" reviewed by Richard J Salvucci


"The Nutcracker" is a holiday staple and, as many musical and dance companies around the United States and Europe will tell you, thank Heaven for it. The musicians and performers may eventually lose their sanity from repeat performances, but the ballet is a money-maker as sure as holiday sales generate commercial profits for retailers. Besides, someone is inevitably hearing it for the first time, and children--even some adults--seem to enjoy it. This year, the season starts early with ...

37
Album Review

Eyal Vilner Big Band: The Jam!

Read "The Jam!" reviewed by Jack Bowers


Simply leading a big band in 2022 is cause for celebration. Leading a big band as sharp and talented as Eyal Vilner's New York- based ensemble is cause for far more than that. Vilner, an Israeli-born composer, arranger and woodwind specialist, formed the band in 2008, one year after arriving in New York City. He has been busy since then shaping its identity and refining its style, and his persistence pays off big-time on the band's second album, The Jam! ...

4
Album Review

New Faces: New Sounds

Read "New Sounds" reviewed by David A. Orthmann


What to listen for in a recording curated by a veteran producer that features a group of young, up-and-coming musicians with skillsets rooted in the bop, hard bop and modal continuum? When the styles are familiar, it's best to start with the material. If the tunes routinely sound like they're made of parts lifted from the classic and near classic jazz repertoire, it sets a negative tone for the rest of the record, sometimes even offsetting the strength of the ...

9
Album Review

New Faces: New Sounds

Read "New Sounds" reviewed by Kyle Simpler


It's refreshing to see younger artists gaining recognition in jazz circles. The energy and performances of such players often adds a sense of vitality to the music, and Posi-Tone Records has been at the forefront of bringing many of these emerging artists to the mainstream. In 2017, for example, Marc Free, the owner and producer of Posi-Tone, assembled a group of young musicians to showcase on the album New Faces: Straight Forward. This turned out to be a successful venture, ...

4
Album Review

Uptown Jazz Tentet: What's Next

Read "What's Next" reviewed by Jack Bowers


A tentet is a rather strange bird; too large to be labeled a small group, yet too small to be counted as a big band, it resides somewhere near the edges, mapping out its own musical profile. Some may rate that an asset, while others may deem it a mere hybrid, unworthy of their consideration. Wiser auditors, however, most often reserve judgment, preferring to take an impartial stance and allow the music to speak for itself. And that is where ...


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