Home » Jazz Articles » Album Review » Eyal Vilner Big Band: The Jam!


Eyal Vilner Big Band: The Jam!


Sign in to view read count
Eyal Vilner Big Band: The Jam!
Simply leading a big band in 2022 is cause for celebration. Leading a big band as sharp and talented as Eyal Vilner's New York- based ensemble is cause for far more than that. Vilner, an Israeli-born composer, arranger and woodwind specialist, formed the band in 2008, one year after arriving in New York City. He has been busy since then shaping its identity and refining its style, and his persistence pays off big-time on the band's second album, The Jam!

Noting which way the big-band winds have been blowing, Vilner gathered inspiration from the city's swing dance renaissance and centered his frame of reference on music with an infectious beat, harkening back to the storied days of the Swing Era when dancing was ubiquitous and swing held sway in every locale from coast to coast. He even invited tap dancer Caleb Teicher join the band for some fancy footwork on "Tap Tap Tap." While Vilner does sanction five vocals—pushing one listener's accepted limit on this for any big-band session (as Jack Lemmon said in the film Some Like It Hot, "nobody's perfect")—the nine breezy instrumentals more than compensate for the surplus. And it must be noted that one of the vocals—Vilner and Tal Roen's "Will You Be My Quarantine?"—is actually quite clever and amusing. Imani Rousselle sings on that one, as she does on the sunny opener, Duke Ellington's "I'm Just a Lucky So and So."

Besides playing alto sax (seven solos) and flute (on the enchanting "Belleville"), Vilner wrote eight of the album's tasteful songs and arranged every theme including Frank Wess' ambling "Monday Stroll," the enduring evergreens "Hard-Hearted Hannah" and "'Tain't What You Do" (both sung by Brianna Thomas), "After the Lights Go Down Low" (sung by Brandon Bain) and the emphatic finale, Count Basie's classic "Jumpin' at the Woodside." Vilner's compositions were written with dancing in mind, and it's hard to keep the toes from tapping when listening to the likes of "Chabichou," "The Jam," "Chad's Delight" or "Call Me Tomorrow, I Come Next Week," or fox- trotting to "Another Time" or "Belleville."

In our super-automated digital age, a number of big bands have chosen to look in the rear-view mirror and reanimate the enchanting music of yesteryear. It's a refreshing trend, one that can only broaden horizons and lead to even more pleasurable music. In other words, a win-win situation for bands and listeners alike.

Track Listing

I’m Just a Lucky So and So; Chabichou; Another Time; The Jam; Will You Be My Quarantine?; Monday Stroll; Chad’s Delight; Hard Hearted Hannah; T’aint What You Do; Call Me Tomorrow, I Come Next Week; After the Lights Go Down Low; Tap Tap Tap; Belleville; Jumpin’ at the Woodside.


Eyal Vilner
composer / conductor
John Lake
Brandon Lee
James Zollar
Ron Wilkins
Robert Edwards
Bill Todd
saxophone, alto
Jordan Pettay
saxophone, tenor
Julieta Eugenio
Evan Antzen
saxophone, tenor
Michael Hashim
saxophone, sopranino
Josh Lee
Eden Bareket
saxophone, baritone
Ian Hutchison
bass, acoustic
Eran Fink
Additional Instrumentation

Imani Rousselle, Brianna Thomas, Brandon Bain: vocals; Caleb Teicher: tap shoes (12).

Album information

Title: The Jam! | Year Released: 2022 | Record Label: Self Produced



For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.


Where Did You Go?
Sandman Project
Moritz Stahl
The Cold Arrow
Gregorio / Smith / Bryerton
Nicole McCabe


Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.