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The Birdland Big Band: Storybook: The Music of Mark Miller
by Jack Bowers
Storybook, the third recording by the New York City-based Birdland Big Band, is subtitled “the music of Mark Miller" and is designed to showcase compositions and arrangements by that multi-talented artist who doubles (triples) as the band's lead trombonist. Miller wrote or co-wrote half of the album's 10 colorful and impressive numbers (11 if one counts Joaquin Rodrigo's brief “Concerto de Aranjuez," which serves as an introduction to Chick Corea's “Spain") and arranged all of them. Miller's ...
Continue ReadingJon De Lucia: The Brubeck Octet Project
by Jack Bowers
Having formed his jazz octet in 2016 for a project at City College of New York, where he was then teaching, Brooklyn-based alto saxophonist Jon De Lucia had to find new music to keep it going--a search that led him to the archives at Mills College, which housed many of Dave Brubeck's original handwritten charts among the papers of the octet's tenor saxophonist and arranger, Dave Van Kriedt. Eight years later, after extensive research, much hard work ...
Continue ReadingEyal Vilner Big Band: Swingin' Uptown
by Jack Bowers
Even though he was born and raised in Tel Aviv, Israel, composer, saxophonist and educator Eyal Vilner is well-versed in the origins and history of American jazz, especially as they pertain to the Swing Era, big bands and the largely black jazz experience in Harlem and elsewhere. Those interests converge on Swingin' Uptown, on which Vilner's excellent big band swings its way through sixteen impressive charts, several of which were inspired by Harlem's remarkble jazz narrative. Besides ...
Continue ReadingJon De Lucia: The Brubeck Octet Project
by Chris May
Synchronicity is a wondrous thing. Item: At around the same time that Albert Ayler was developing his sound in the U.S.A., the Ethiopian tenor saxophonist Getatchew Mekurya was forging a strikingly similar one in Addis Ababa. Neither player had heard the other, and Mekurya had never heard any jazz at all. Feel the Force? Rewind a decade or so and we encounter another space/time portal, this one connecting the U.S.A.'s East Coast and West Coast. In New ...
Continue ReadingJohn La Barbera Big Band: Grooveyard
by Jack Bowers
Composer/arranger John La Barbera has been at the top of his game for more than half a century, and Grooveyard is simply another example of his undiminished artistry. Besides arranging everything--superbly, as always--La Barbera wrote six of the session's ten charming songs, escorting other treasures by Carl Perkins, Dave Brubeck, Curtis Fuller and Elvin Jones. As he writes his handsome and colorful big-band charts, La Barbera is always careful to observe Rule No. 1: they have to ...
Continue ReadingDarcy James Argue's Secret Society: Dynamic Maximum Tension
by Angelo Leonardi
Precursore nel 2009 (con l'innovativo Infernal Machines) del nuovo rinascimento orchestrale nel jazz, Darcy James Argue approda all'etichetta Nonesuch e pubblica il nuovo album in studio: un doppio CD realizzato con i consueti partner della Secret Society più l'aggiunta della cantante Cecile McLorin Salvant e della violinista Sara Caswell. A differenza degli ultimi due dischi, Dynamic Maximum Tension non è un'opera multimediale ma conserva la spinta visionaria animata dalla costante riflessione socio-politica. Spinta che si traduce in ...
Continue ReadingDarcy James Argue's Secret Society: Dynamic Maximum Tension
by Katchie Cartwright
Darcy James Argue's superb double-album Nonesuch debut offers compositions written throughout his career. He turns to twentieth-century thinkers for “ideas that can help us in the present, that we can reexamine and reconfigure for our own purposes." These include futurist designer Buckminster Fuller, cryptanalyst-computer scientist Alan Turing, composer-arranger Bob Brookmeyer, actress-screenwriter Mae West, trumpeter-mentor Laurie Frink, and musician-beyond-category Duke Ellington, among others. Like West, Argue seems to control his own path. He may not yet be the tycoon she was, ...
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