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About Bill Holman

1

Album Review

Terry Gibbs Dream Band: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Angelo Leonardi

by Angelo Leonardi

«Non credo che ci sia mai stata una band migliore di questa, compresa la mia». Mel Lewis espresse queste parole per la mitica orchestra che il vibrafonista Terry Gibbs guidò in California tra il 1959 e il 1961 e fu chiamata “Dream Band" per l'entusiasmo che suscitò tra i fortunati che l'ascoltarono dal vivo. Giudizi così perentori non vanno mai presi alla lettera ma ascoltando queste inedite registrazioni non li giudicherete troppo esagerati. Stan Kenton espresse simili opinioni ...

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27

Album Review

Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Jack Bowers

by Jack Bowers

In 1959, vibraphonist Terry Gibbs and his recently formed big band set up shop at the Seville, a Los Angeles nightclub owned by Harry Schiller. Many of those early sessions were taped, at Gibbs' request, by famed recording engineer Wally Heider before being left on a shelf and forgotten. After two weeks at the Seville, Gibbs and the band moved to a second club, the Sundown. The band was successful, drew large crowds, and was soon recording, first for Norman ...

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11

Album Review

Terry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959

Read "Dream Band, Vol. 7: The Lost Tapes, 1959" reviewed by Richard J Salvucci

by Richard J Salvucci

Someone once asked Terry Gibbs how it was possible that if you took his side men, or some subset of them, and put them together in another band, they never quite sounded as good. Gibbs replied, modestly, that it was all in the arrangers. He got the best arrangers, like Bill Holman, Marty Paich and Med Flory. Others did not. And so the story went. It would have been tempting to ask if, perhaps, Gibbs had ...

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35

Album Review

Stan Kenton: Salute!

Read "Salute!" reviewed by Jack Bowers

by Jack Bowers

Stan Kenton, one of the most renowned and influential bandleaders of the twentieth century, died on August 25, 1979. Fortunately—for the sake of history in general and creative music in particular—Kenton's remarkable legacy lives on, and in a perceptive and open-minded world would endure forever. Even to this day, small but devoted groups of enthusiasts share a wish that some previously hidden array of his material might come to light, satisfiying for the moment their craving for more memorable music ...

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5

Big Band Report

Los Angeles Jazz Institute Festival "Big Band Spectacular" 2017, Part 4-4

Read "Los Angeles Jazz Institute Festival "Big Band Spectacular" 2017, Part 4-4" reviewed by Simon Pilbrow

by Simon Pilbrow

Los Angeles Jazz Institute Festival Big Band Spectacular LAX Westin Hotel Los Angeles, CA May 24-28, 2017 Part 1 | Part 2 | Part 3 | Part 4 Roger Neumann's Rather Large Band Roger Neumann has led this happy band for many decades. One current member, trumpeter Jack Coan, was also a foundation member in 1975. They play a repertoire of standards and classic jazz tunes, using the ...

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795

Profile

Bill Holman

Read "Bill Holman" reviewed by Marcia Hillman

by Marcia Hillman

Bill Holman is a man with many milestones. Known primarily for years of unique and complex arrangements, Holman's continuing and long-running career as a composer and saxophonist reaches another milestone this month when he will be awarded the title of NEA Jazz Master. A California native, Holman took up clarinet in junior high school and tenor saxophone in high school where he was leading his own band. In the late '40s, after a stint in the US Navy and engineering ...

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302

Multiple Reviews

Bill Holman: Hommage & The Lost Bill Holman Charts

Read "Bill Holman: Hommage & The Lost Bill Holman Charts" reviewed by Fred Bouchard

by Fred Bouchard

Bill Holman's varied and florescent career as composer-arranger shines on in the vanguard of a pack of scribes for Stan Kenton, Maynard Ferguson, Gerry Mulligan and Woody Herman. Playing tenor through the '50s for Kenton, Charlie Barnet and Shorty Rogers, Holman quit horn for pen in the '60s and has since proven a unique voice on his airy, anchored palette. Holman has kept his own big bands afloat as many do--through more thin than thick--and comes up with this bountiful ...

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