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Jazz Articles about Bill Frisell


About Bill Frisell

971

Live Review

Bill Frisell at the Iron Horse in Northampton, MA

Read "Bill Frisell at the Iron Horse in Northampton, MA" reviewed by Lyn Horton

by Lyn Horton

Bill Frisell Iron Horse Northampton, Massachusetts July 13, 2009

When performing alone, a musician has to work really hard, since the sound produced cannot be interwoven within the sounds other band members create. The soloist is virtually right out there in the same space as the audience. The musician's vulnerability, in turn, is unmistakable. Combine all that with the personality transmitted in the music, occasionally through the words of the performer, and there ...

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359

Album Review

Bill Frisell: History, Mystery

Read "History, Mystery" reviewed by Matthew Miller

by Matthew Miller

For an artist rooted in sound and atmosphere, change occurs, more often than not, through Re-contextualization. Miles Davis embodied this over a career of brilliant juxtapositions and, in this way, Bill Frisell is his closest contemporary. The 58 year-old guitarist chooses collaborators carefully, employing them as foils to revolve around the swirling gravitation of his haunting, twang-inflected telecaster. This is the only way to reconcile the newness inherent in History, Mystery. The collaborators are the same; the ...

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826

Extended Analysis

Bill Frisell: History, Mystery

Read "Bill Frisell: History, Mystery" reviewed by John Kelman

by John Kelman

While guitarist Bill Frisell has continued to shape his uniquely skewed confluence of musical styles, it's been too long since he weighed in heavily on the compositional side. In recent years, the writing has most often served the playing, largely providing a context around which the guitarist and various-sized groups can explore, expand and mine. That's by no means a bad thing, and has resulted in some fine albums including Bill Frisell, Ron Carter, Paul Motian (Nonesuch, 2006) and East/West ...

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460

Album Review

Bill Frisell: All Hat

Read "All Hat" reviewed by Ian Patterson

by Ian Patterson

The problem with attempting to define Americana is that it is an all-encompassing term culturally speaking. As far as music goes, Americana runs the gamut from the Grateful Dead to Willie Nelson and just about everything in between. Equally, the music of guitarist Bill Frisell is difficult to describe without embarking on a short essay, and perhaps because of his eclecticism his music defines the essence of Americana as well as any and better than most.

This original score for ...

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560

Album Review

Bill Frisell: History, Mystery

Read "History, Mystery" reviewed by Chris May

by Chris May

Over the 25 years he's been recording as a leader, guitarist Bill Frisell has worked in a multitude of settings, from gritty downtown to pastoral Americana, and with as many kinds of line-ups, from string trios through small groups to little-big bands. He's convinced in most contexts, and dug deep in many, always retaining his own voice, in which an abundant lyricism is partnered with earthy rhythmic vitality.

On the two-disc History, Mystery, Frisell shuffles the pack and ...

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773

Profile

Bill Frisell: Pursuing Beauty

Read "Bill Frisell: Pursuing Beauty" reviewed by Nenad Georgievski

by Nenad Georgievski

There are people in this world who are blessed with the gift of constant searching for the beautiful in a world that has gone terribly wrong somewhere. Bill Frisell is someone that is evidently on a quest such as that one. Clearly one of the most original and most proficient guitarists now playing, he is acknowledged as one of the most influential and exciting jazz guitarists to emerge in the latter half of the 20th century. Noted for his unparalleled ...

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513

Live Review

Taking a Magical Mastery Tour with The Bill Frisell Trio in Northampton, Massachusetts

Read "Taking a Magical Mastery Tour with The Bill Frisell Trio in Northampton, Massachusetts" reviewed by Lyn Horton

by Lyn Horton

Bill Frisell Trio Iron Horse Music Hall Northampton, Massachusetts June 21, 2007

Flourishing in something produces ecstasy. No experience can equal the satisfaction of a temporally bound creative act for which no result can be predicted and which simply becomes increasingly surprising as it evolves. The conversation that a musician can have internally with an instrument as well as with bandmates strengthens the possibility for an outcome more positive than was ever anticipated. The ...

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