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About Barney McAll
Gary Bartz: Damage Control
by Marco Iacoboni
"Ntu" in lingua bantu significa unità in ogni cosa. Tempo e spazio, vivi e morti, forze visibili e invisibili, fuse in un'unica visione filosofica e spirituale, profondamente legata alla cultura africana e afroamericana. Il progetto Ntu Troop di Gary Bartz si è evoluto naturalmente dallo spiritual jazz al movimento B.A.M. (Black American Music), fondendo elementi soul, funk, folk africano, hard bop e jazz d'avanguardia. Una ricchezza di suoni e di atmosfere che non solo rendono la bellezza di questa musica ...
Continue Reading...Gary Bartz & NTU: Damage Control
by Pierre Giroux
After a 12-year break from the recording studio, legendary saxophonist Gary Bartz makes a powerful return with Damage Control. This deeply personal passion project honors and re-imagines the soul genre. The album showcases Bartz's unwavering curiosity and artistic evolution, transforming soulful classics into meditative, jazz-infused compositions that cross genre boundaries. At the heart of the album's unity is Bartz's core trio, featuring pianist Barney McAll and drummer Kassa Overall. This trio is often joined by a lineup of exceptional musicians ...
Continue Reading...Barney McAll: Flashbacks
by Russ Musto
The subtle synthesis of diverse influences into an original style is the hallmark of authentic artistry. Australian-born pianist Barney McAll, who has performed with artists as disparate as Groove Collective and Gary Bartz and absorbed the rhythms of Santeria on numerous trips to Cuba, achieves such a fusion on Flashbacks, leading a band featuring guitarist Kurt Rosenwinkel and percussionist Pedro Martinez, along with trombonist Josh Roseman, saxophonist Jay Rodriguez, bassists Drew Gress and Jonathan Maron, drummer Obed Calvaire and others. ...
Continue Reading...Barney McAll: Flashbacks
by John Kelman
Keeping up with the wealth of talent around the world is a challenge, but when it's someone as talented and distinctive as Australian pianist Barney McAll, it's well worth the effort. In addition to film scoring, McAll has built a small but substantial discography and reputation of merit over the past decade by exploring many junctures--Afro-Cuban music and spirituality meeting with a modernistic jazz sensibility that's colored with traces of fusion and electronics, elegant classicism and urban groove. Despite its ...
Continue Reading...Barney McAll: Dynamic Pianist And Composer
by AAJ Staff
Composer and pianist Barney McAll is a leading light of the new Brooklyn--the New York borough that is the fount of much that is new in jazz. The spectrum of McAll's music is wide, ranging from mood-setting jazz ensemble recordings to electronica. But it all comes down to the notes, and their relation to each other. As McAll says about growing up with and learning music, If you have a piano in the house that's a start." Organic music is ...
Continue Reading...Barney McAll: Flashbacks
by Mark F. Turner
Since moving from Australia to NYC in 1997, pianist/composer Barney McAll has created an impressive resume that includes work with Gary Bartz, Billy Harper, Maceo Parker, Josh Roseman, and David Binney. But it may be his projects outside of jazz, in particular with independent film scoring-- Motherland Afghanistan (Aubin Pictures/PBS Independent Lens) and Sacco and Vanzetti (Peter Miller/Ken Burns Florentine Films) and other works--that seem to shape his fertile imagination. It's not surprising that Flashbacks, his fifth recording as a ...
Continue Reading...Barney McAll: One to Watch
by AAJ Staff
This interview was first published in 2001. All About Jazz: First, if you don't mind, tell me some other biographical details (where did you study?)
Barney McAll: I was born in Melbourne Australia. I started playing piano at seven years old. My older brother John, was very influential on me playing, as he is a great pianist and composer.
I can remember playing games in my head and just playing piano for ...
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