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Jazz Articles about Alphonse Mouzon


About Alphonse Mouzon

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Extended Analysis

A Supreme Love

Read "A Supreme Love" reviewed by Duncan Heining

by Duncan Heining

Alan Skidmore is one of the finest saxophonists to come out of the United Kingdom, Europe or indeed anywhere. In fact, it was hearing Skidmore's tenor solo on “Have You Heard?" from John Mayall's Bluesbreakers with Eric Clapton (Decca, 1966) that encouraged a young Michael Brecker to take up the instrument. Skidmore had also served his apprenticeship with blues singer Alexis Kornerin the sixties and by the end of the decade was equally well-versed in the blues and in the ...

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Radio & Podcasts

Alphonse Mouzon, Bill Evans (Sax), Alain Caron and Joseph Patrick Moore

Read "Alphonse Mouzon, Bill Evans (Sax), Alain Caron and Joseph Patrick Moore" reviewed by Len Davis

by Len Davis

The late Alphonse Mouzon opens with an epic piece featuring Freddie Hubbard and Herbie Hancock, Bill Evans with some soulful jazz funk, and bassist's Alain Caron, Joseph Patrick Moore and Tony Grey. Playlist Alphonse Mouzon “By All Means" from By All Means (MPS) 00:00 Bill Evans-Saxophone “Gimme Some" from Soul Insider (ESC) 07:57 Andy Narell “Natty Stick" from Slow Motion (Hip Pocket) 15:52 Alain Caron “Slam The Clown" from Rhythm'n Jazz (Norac) 23:54 Joseph Patrick Moore “Nevada Sun" ...

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6

Liner Notes

Larry Coryell: Improvisations: Best of the Vanguard Years

Read "Larry Coryell: Improvisations: Best of the Vanguard Years" reviewed by Josef Woodard

by Josef Woodard

There have been many smoother operators in the world of jazz guitar than Larry Coryell, the brainy rough rider who was a natural-born fusioneer, in the best sense. There have been cleaner technicians on the instrument, with a more lucid sense of identity and careers that have followed a logical, rolling landscape. But not many have quite attained Coryell's strange, madly eclectic state of grace: into music he came, he saw and heard things not yet articulated, he conquered on ...

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Radio & Podcasts

Classic '70s Fusion

Read "Classic '70s Fusion" reviewed by Len Davis

by Len Davis

This week we visit the '70's for some classic fusion from Alphonse Mouzon, Michal Urbaniak as well as a couple of fairly obscure gems from Europe. Playlist Alphonse Mouzon “Nightmare" from In Search Of A Dream (MPS) 00:00 Michal Urbaniak “Deep Mountain" from Fusion (Columbia) 14:01 Isotope “Deep End" from Deep End (Gull) 22:13 Caldera “Exaltation" from Caldera (Capitol) 30:07 Iceberg “Bali De Les Fulles" from Sentiment (Picap) 37:11 Sphero “Black Hill Samba" from Sphero (Cobra) 49:08 Ken ...

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3

Album Review

Alphonse Mouzon: In Search Of A Dream

Read "In Search Of A Dream" reviewed by Chris May

by Chris May

2018 is the 50th anniversary of the founding of the distinguished German jazz label MPS. To mark the occasion, the label's catalogue of over 400 albums has been released on download, and a vinyl and CD remastering and reissue programme has begun. Alphonse Mouzon's In Search Of A Dream is among the first of these discs. Originally released in 1978, it was the fourth--and finest--jazz-rock set the drummer recorded for the label. During the 1970s, his ...

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621

Album Review

Alphonse Mouzon: Virtue

Read "Virtue" reviewed by John Kelman

by John Kelman

Digging deep into the MPS catalog for its first reissues of 2009, Promising Music revives drummer Alphonse Mouzon's Virtue, an eclectic 1977 fusion date that may have coasted towards nascent smooth jazz territory but highlights the significant difference between what that term meant then and now.

With a chorus singing “Master Funk" over the funky opening track of the same name, and Mouzon's get-down clavinet playing (he adds a wealth of keyboards in addition to those ...

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720

Interview

Alphonse Mouzon: From Charleston Heights to Bel Air

Read "Alphonse Mouzon:  From Charleston Heights to Bel Air" reviewed by Mikayla Gilbreath

by Mikayla Gilbreath

A fleeting glance at the cover of Alphonse Mouzon's CD Jazz in Bel-Air (Tenacious, 2008) gives one the impression that Mouzon was born into wealth, “with a silver spoon in his mouth." Listening to Mouzon's compositions and performance on the CD does nothing to dispel that impression. He delivers a live performance so polished and enjoyable that it would seem almost out-of-place in anything less than a top-notch venue. The use of earlier Mouzon compositions on television shows such as ...

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