Jazz Articles
Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our Coming Soon page. Read our daily album reviews.
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Danalogue: Telling The Future Through Old Machines
by Lawrence Peryer
This week we're putting The Tonearm's needle on synthesist and producer Danalogue.Danalogue is a founding member of The Comet Is Coming and half of Soccer96, and he's recently released his debut solo album, Teleportations. The record imagines grief and upheaval as a science-fictional voyage and was sparked by a chance encounter with the artist Moebius that grew into an imagined civilization.We talk about recording alone, with no one else's voice in the room; why he calls ...
Continue Reading...Gerry Hemingway with Izumi Kimura, Frank Gratkowski and Christian Weber: Live at Bau 4
by Glenn Astarita
Drummer and composer Gerry Hemingway has spent five decades proving that percussion can be as harmonically literate as any horn or keyboard. That reputation was forged during his decade with the Anthony Braxton Quartet and expanded through an expansive discography on labels including Auricle, Tzadik, Clean Feed, and Intakt. Now based in Switzerland, Hemingway continues to cultivate collaborations that balance compositional rigor with the spontaneity of collective improvisation. Live at Bau 4 documents one such encounter. Per Maxi ...
Continue Reading...Gerry Hemingway: Live at Bau 4
by Mark Corroto
Touch. It is the word that most often comes to mind when listening to the music of composer and drummer Gerry Hemingway. While rhythm and structure are central to his work, it is touch, the physical act of striking, rubbing, bowing, pressing and releasing that gives his music its distinctive character. Hemingway's performances do more than generate sound; they evoke texture. They invite the listener to imagine the grain of wood, the scrape of metal, the vibration of strings and ...
Continue Reading...Left Wall Balcony
by Mike Jurkovic
Pinwheel Pete on cowbell was a philharmonic all his own His tones like a fishwife's virgin murmurs rush the front rows then the left wall balcony w/a wave of clarion richness only Pete conjures in concert On stage his song and dance his lavaliere dreams of disrepair become bop become blues Holds the groove through all ...
Continue Reading...2026 New Releases, Part 1
by Jon Greenbaum
These kinds of lists are like a mirror; our aesthetic preferences reflect back to us who we are. This list is saying I-don't-care-much-for-walking-bass-or-the-accepted-conventions-of-the-jazz-tradition. I don't want to accept that truth. I want to love The Tradition. And in my defense of my fealty to straight ahead jazz I will say that I just got a bunch of Erroll Garner discs out of the library because somebody was writing about Garner and I wanted to dive into that rabbit ...
Continue Reading...Lucy Yeghiazaryan: Serious And Seriously Talented
by R.J. DeLuke
Lucy Yeghiazaryan is one of the most compelling jazz vocalists to emerge in recent years. Especially in New York, where she regularly performs in the city's jazz clubs, audiences have been drawn to her rich, powerful tone and her ability to bring an enchanting emotional depth to every lyric. Those qualities, along with her no-nonsense approach to classic songs and her effortless sense of swing, are behind the steady growth of Yeghiazaryan's audience. That's impressive these ...
Continue Reading...Denny Zeitlin: Odyssey
by Pierre Giroux
Listening to Denny Zeitlin has often felt like accepting an invitation to the unknown. Zeitlin has never been content to simply play a tune. He probes it, turns it inside out, and often uncovers possibilities most musicians overlook. Odyssey reinforces that reputation. Although much of the material spans different periods of his career, the album never feels like a nostalgic exercise. Instead, it captures an artist whose curiosity remains remarkably intact. The trio's 2003 concert performances, featuring the ...
Continue Reading...Thelonious Monk: Monk Live In Paris 1967 Volume One
by Jack Kenny
This Paris concert formed part of a European tour organized by the impresario George Wein, who had previously presented numerous Thelonious Monk Quartet engagements. Seeking something different, Wein proposed an expanded ensemble. Monk was initially reluctant to depart from the quartet format and only agreed after considerable persuasion. Crucially, he retained artistic control: he selected the additional musicians himself and insisted on using Hall Overton's arrangements, familiar from the earlier concerts Town Hall (Riverside 1959) and Philharmonic Hall (Columbia 1964). ...
Continue Reading...With Time No Longer an Issue: The Rolling Stones' Hackney Diamonds and Foreign Tongues
by C. Michael Bailey
The standard critical frameworks used to evaluate late-career popular music--nostalgia, institutional legacy, and the search for one last masterpiece--have become increasingly inadequate for understanding the Rolling Stones' most recent work. Such approaches inevitably turn new recordings into epilogues to a completed career. The remarkable fact is not that musicians in their eighties remain productive. It is that Hackney Diamonds (Polydor/Geffen, 2023) and Foreign Tongues reveal the emergence of a genuinely new creative period in the band's history. That ...
Continue Reading...GA20 with Charlie Musselwhite: Blues Now
by Doug Collette
The contemporary blues community is densely populated with posers long on affectation and short on authenticity. Not so GA20 or Charlie Musselwhite, for whom the blues speak truths that resonate in such a deep and abiding way, their respective musical expressions become truly personal statements. Boston-based trio GA20--fittingly named after a vintage Gibson amplifier--have always specialized in that genre style born in Chicago, so it only stands to reason--and suggests a certain level of destiny--that the group would ...
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