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Our daily articles are carefully curated by the All About Jazz staff. You can find more articles by searching our website, see what's trending on our popular articles page or read articles ahead of their published dates on our Coming Soon page. Read our daily album reviews.

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381

Album Review

Charles Evans / Neil Shah: Live at Saint Stephens

Read "Live at Saint Stephens" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

Live At Saint Stephens with baritone saxophonist Charles Evans and pianist Neil Shah-- together with the Dan Tepfer/Lee Konitz Duos With Lee (Sunnyside Records, 2009)--is certainly one of the most wildly adventurous records in recent memory. It is not quite entirely spontaneous or improvisational as some of Keith Jarrett's records are. But playing under a magisterial dome of sound--both deep and tender--Evans and Shah create sonic matrices that evolve high and mighty as those once woven by the master of ...

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508

Extended Analysis

David Sylvian: Manafon

Read "David Sylvian: Manafon" reviewed by Nenad Georgievski

by Nenad Georgievski

David Sylvian Manafon Samadhi Sound 2009

Singer David Sylvian has had such an unpredictable and diverse recording career that it is interesting to see what will come next. Over the years he has covered a lot of ground, from pop music to gentle, ambient soundscapes, prog rock and fiery, avant-garde experimentation. So it should come as no surprise that his eclectic muse has led him to a new sonic neighborhood with Manafon. ...

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369

Album Review

Dan Berglund's Tonbruket: Dan Berglund's Tonbruket

Read "Dan Berglund's Tonbruket" reviewed by Chris May

by Chris May

Since the death of pianist Esbjörn Svensson in summer 2008, a few months before the release of e.s.t.'s Leucocyte (ACT Music, 2008)--an album which seemed to promise a second revolutionary stage in the Swedish group's music--fans have been obliged to look elsewhere for rock-infused reorientations of the piano trio tradition. There have been plenty of places to look, but nowhere quite like e.s.t. itself. Inevitably, attention has focused on the surviving members of the trio, bassist Dan Berglund and drummer ...

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547

Album Review

Pat Metheny: Pat Metheny: Orchestrion

Read "Pat Metheny: Orchestrion" reviewed by Doug Collette

by Doug Collette

Orchestrion is no doubt going to be tremendously popular with Pat Metheny's devoted fan base, and anyone else who takes the opportunity to see the man on his upcoming tour. As one of the guitarist/composer's grandest projects, it will attract more than a few of those casually acquainted with Metheny's fame, curiosity piqued by the unusual concept behind the recording; the CD is enclosed in a triple-fold digipak with an array of color photos, no doubt intended to startle.

No ...

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339

Album Review

Ali Farka Toure and Toumani Diabate: Ali and Toumani

Read "Ali and Toumani" reviewed by Nenad Georgievski

by Nenad Georgievski

Profound knowledge of African music is not a must to enjoy Ali and Toumani. This recording is the second collaboration between two legendary Malian artists, the now-deceased Ali Farka Touré and master kora player Toumani Diabaté. Ali Farka Touré has always been a truly exceptional and original guitarist and even in his death he remains the symbol of African guitar, as he was the first to introduce desert blues to the world. Diabaté is the world's foremost kora player and ...

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993

Live Review

AAJ's Guide to NYC Jazz Venues in the New Decade

Read "AAJ's Guide to NYC Jazz Venues in the New Decade" reviewed by Matthew Miller

by Matthew Miller

In its nearly eight years of existence, All About Jazz has become the foremost chronicler of live jazz in New York City. Our monthly issues, like bibles in hotel rooms, have found a place in nearly every jazz venue in the city and concertgoers have looked to its pages to keep them abreast of new arrivals. At the dawn of a new decade, it seems fitting to take a look back at the venues we've covered in our first 92 ...

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437

Album Review

Peter Brötzmann: A Night In Sana'a

Read "A Night In Sana'a" reviewed by Mark Corroto

by Mark Corroto

Reaching across cultures is nothing new for jazz artists, and certainly jazz (by definition) is the amalgamation of ethnic European, African, Afro-Cuban and American blues music. With this recording by free jazz patriarch Peter Brötzmann in Yemen, the junction is not only of different cultures but of different centuries.

Record label chief Uli Armbruster shared recordings of traditional Yemeni music with the saxophonist, convincing him to travel to Sana'a in 2004 to perform. He arrived with Chicagoan and ...

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1,247

Profile

The Late Great Phil Seamen

Read "The Late Great Phil Seamen" reviewed by Michael Baird

by Michael Baird

INTRODUCTION Phillip William Seamen was born in Burton-on-Trent, Staffordshire, on August 28th 1926 and died on Friday 13th October 1972--he fell asleep in a chair in his abode on Old Paradise Street in Lambeth, south London, and didn't wake up any more. The police were called in quite quickly and their pathologist began by taking a sample of Phil's blood, which is usual procedure. Back in the lab he could not believe his eyes--the level of barbiturates was ...

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594

Extended Analysis

The Kandinsky Effect

Read "The Kandinsky Effect" reviewed by David Miller

by David Miller

The Kandinsky EffectThe Kandinsky EffectSNP Records 2010

What do you get when you combine an American saxophonist, a self-proclaimed “total gringo" bassist and a French drummer, playing progressive jazz in Europe? There's no one-size-fits-all answer. But The Kandinsky Effect, composed of Warren Walker (saxophone), Gael Petrina (acoustic and electric bass) and Gautier Garrigue (drums), sure as heck blow the roof off the joint trying to figure it out for themselves.

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374

Album Review

Emilio Solla & The Tango Jazz Conspiracy: Bien Sur!

Read "Bien Sur!" reviewed by Dan Bilawsky

by Dan Bilawsky

"Tango Jazz," like virtually every other genre-descriptor, is a convenient tag used to categorize what, ultimately, is better understood through listening. Emilio Solla, along with musicians like Pablo Aslan and Pablo Ziegler, are at the forefront of this style. Solla says it best when he explains that the “tango" portion of the title usually refers to the Argentinean origins of the musicians in question, and the “jazz" label addresses the improvisational elements within. Regardless of what it all really means, ...

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