Jazz Articles
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Jan Lundgren celebrates Andre Previn and Cole Porter
by Chris Mosey
What do Andre Previn and Cole Porter have in common? Well, with Saul Chaplin, Previn adapted Porter's greatest hit, the score for the 1953 MGM musical Kiss Me Kate. Apart from this, and with little apparent consequence until now, both men greatly influenced the life of Torgil Rosenberg, a Swedish dentist, amateur flier and jazz enthusiast. The consequence of Rosenberg's founding enthusiasms is now upon us. His mission is to make today's youth aware of its musical ...
Continue Reading...Richard Andersson Sustainable Quartet: Please Recycle
by Mark Corroto
Danish bassist Richard Andersson organized this session, which attracts attention, at first glance, from the presence of saxophonist Tony Malaby, but then commands regard for all its players.Recorded after studying at the Manhattan School of Music, Andersson formed an alliance with two other players deserving wider recognition, pianist Sullivan Fortner and drummer Rogerio Boccato. Fortner has already attracted attention for his playing on bassist John Patitucci's Remembrance (Concord, 2009), while Boccato recently toured with trumpeter Roy Hargrove's Quintet.
Continue Reading...Ken Hohman's Best Releases of 2010
by Ken Hohman
Year end lists seem to overlook so much, but in a way that's a good thing. After all, it means that good jazz is plentiful these days. The truth of the matter is I spent a great deal of 2010 exploring all the overlooked releases from the past two years. And with so much jazz being released under artist-run online labels, cobbling together a list is all the more trying. Nevertheless, here's my cream of the crop in a year ...
Continue Reading...Footprints: When You Dream
by Ian Patterson
Footprints is a New York-based five-piece, formed in 2008 by trumpeter Christoph Siegrist and saxophonist Joshua Kwassman. Together they set out with the intention of exploring the music of trumpeter Miles Davis' second great quintet, which blazed such a glorious path from '64 until the end of that decade. Repertory has since been largely replaced by original compositions on the group's debut, When You Dream, though Davis' spirit is ever-present despite Siegrist's distinctive, full-bodied tone, refreshingly unlike so many trumpeters ...
Continue Reading...Umbria Jazz Winter #18 Days 1-2: December 29-30, 2010
by Sara Villa
Days 1-2 | Days 3-5 Umbria Jazz Winter #18 Orvieto, Italy December 29, 2010-January 2, 2011 Chick Corea/Stefano Bollani Piano Duo This year the wintery version of Italy's major jazz festival is an 18-year-old grown-up, and it shows. Its calendar reconfirmed a highly diverse mix, embellished by an increasing number of collaborations between North American, Latin and European jazz musicians. The opening concert of this kermesse was a pearl ...
Continue Reading...Muirhead Quartet: All or Nothing
by Seton Hawkins
The sprawling double-CD release, All or Nothing, by the Cape Town-based Muirhead Quartet proves to be one of 2010's most forcefully unique, probing, and genre-defying albums. Featuring four stellar artists, the album packs a tremendous aural wallop by offering a veritable master class on just about every major style of jazz that has emerged in the past fifty years. While many recent jazz releases offer little more than star-studded jam sessions, All or Nothing presents a rare treat, with its ...
Continue Reading...Oliver Lake Solo: San Diego, December 17, 2010
by Robert Bush
Oliver Lake Sushi Performance and Visual Arts San Diego, CA December 17, 2010 Saxophonist, composer, poet and painter Oliver Lake stands at the top of his profession alongside such giants as his contemporaries, multi-instrumentalists Anthony Braxton, and Roscoe Mitchell. His solo concert at Sushi Performance and Visual Arts was the final installment of adventurous curator Bonnie Wright's excellent Fresh Sounds" series. Lake doesn't perform solo concerts all that often, so this was a rare ...
Continue Reading...Will Vinson: Stockholm Syndrome
by David Lighton
Saxophonist Will Vinson performs the oft-attempted but rarely accomplished feat of producing fresh and original music with an open affection for tradition. He carefully walks the tightrope, all the while risking falling--on one side into shallow mimicry, and on the other into art music. Stockholm Syndrome--Vinson's first Criss Cross release and an appropriately heady mixture of standards and originals--finds the alto saxophonist developing a distinct and personal lyricism. The album brings together five of New York's best ...
Continue Reading...John Sharpe’s Best Releases of 2010
by John Sharpe
Here are ten new releases, in no particular order, which stood out among those I heard this year. Joe McPhee / Ingebrigt Håker FlatenBlue Chicago BluesNot TwoJoe McPhee and Ingebrigt Håker Flaten make a successful pairing as evidenced by interactions which evince a highly charged form and purpose. In spite of the title there are no overt blue notes on display here. But McPhee's tone on tenor saxophone is drenched in ...
Continue Reading...Piccho dal Pozzo: A_Live
by John Kelman
In the continually expanding world of progressive rock--an expansion facilitated through global communities created via the internet over the last decade-and-a-half--it's increasingly common to find groups garnering far more (and, often, well-deserved) attention than they did back in their time. Italy's Picchio dal Pozzo only released two albums back in the day--Picchio dal Pozzo (Grog, 1976) and Abbiamo Tutti I Suoi Problemi (L'Orchestra Cooperative, 1980)--but as its country's only known group to expand on the tradition of British Canterbury groups ...
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