Jazz Articles
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Emil Viklicky & George Mraz: Mraz & Viklicky: Together Again
by Ian Patterson
In European jazz the assimilation of folkloric influences has become commonplace as the American vernacular--or more specifically the Great American Songbook--exerts less of a hold. Czech musicians pianist Emil Viklický and bassist George Mraz's collaborations on Morava (Fantasy/Milestone 2001)--with drummer Billy Hart and singer Zuzana Lapcikova--and Moravian Gems (Cube-Métier 2007) with singer/violinist Iva Bittova and drummer Laco Tropp--explored the beauty of Moravian folk music in a jazz context. ACT Music's Siggi Loch was so captivated that he has made it ...
Continue Reading...Take Five With Martin Uherek
by AAJ Staff
Meet Martin Uherek: I am a young professional saxophonist from Slovakia. I have a deep admiration for the legendary jazz musicians of the '40s through the '60s. I am a leader of several bands-- notably the Martin Uherek Quartet and Jazz Pianoless Trio. My newest project is Stories of Jazz (Self Produced, 2014), which combines music performed by my trio and tells stories about jazz musicians, tunes, history and much more. Instrument(s): Tenor saxophone. ...
Continue Reading...Mike DiRubbo: Threshold
by Edward Blanco
New York-based alto saxophonist Mike DiRubbo is one of the most recognizable and formidable forces in the jazz world today. A former student of the late great jazz icon Jackie McLean and a fixture in the Big Apple's vibrant jazz scene, DiRubbo is no novice. He has a substantial discography, and experience performing with some of the best players in the world. The adventurous Threshold is the artist's eighth album as leader where--with the exception of Charlie Parker's Bebop classic ...
Continue Reading...Kartet: Grand Laps
by Glenn Astarita
Kartet celebrates its 25th anniversary and with the latest rendition, Belgian drummer Stephane Galland replaces Chander Sardjoe and alto saxophonist Guillaume Orti adds the C-Melody and F mezzo-soprano saxophones to his arsenal. Indeed, it's a unique entity. With the ambiance of chamber music fare and uncluttered designs, the musicians generate a rhythmic nirvana via geometrically modeled ostinatos and odd-metered time signatures, while also using space as a vantage point. From a holistic perception, the soloists engineer themes that feature reverse ...
Continue Reading...Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by John Kelman
By the time Bitches Brew (Columbia) was released in April, 1970and despite receiving a 5-star review in Downbeat Magazinetrumpeter Miles Davis was already under fire from mainstream jazz critics as having sold out," despite the densely constructed, improvisationally unfettered music being as unapproachable to an audience looking for accessible music as anything he'd done with his increasingly liberated second great quintet of the 1960s. Sure, there were rock rhythms and, perhaps more disturbingly to the delicate ears of its detractors, ...
Continue Reading...Trio Logic: Phishbacher, Dominic J Marshall, Bob Henschen Trios
by C. Michael Bailey
The traditional jazz piano trio (piano, double bass and drums) remains a robust and productive format for jazz performance and interpretation. Here are three examples supporting this. Phishbacher Trio Dreamcatcher Jazz Sick Records 2014 Pianist and composer Walter Fischbacher with his wife, singer/composer Elisabeth Lohninger manage their Lofish Recording Studio in New York City when not pursuing each other's well- received recording careers. Fischbacher and his trio have enjoyed ...
Continue Reading...Jaclyn Guillou: The Lover's Walk
by C. Michael Bailey
Canada has long been the breeding ground for jazz musicians and vocalists, pianist Oscar Peterson and Diana Krall being notable examples. Vancouver-native Jaclyn Guillou is a multi-talented performer (song, dance and stage) who has carved out both an Old and New World presence. She released her first recording in 2011, To The City, a collection of standards are original compositions. She follows this recording with the present The Lover's Walk where she commands creation of seven probing compositions recorded in ...
Continue Reading...Aural Mayhem – Rare Noise / Jamie Saft - Joe Morris / Chat Noir
by C. Michael Bailey
On a bright spring Thursday afternoon, June 28, 1928, Louis Armstrong and his Hot Five entered the Okeh Studios in Chicago Illinois to record Three Perfect Minutes" of music in the guise of Joe King" Oliver's immortal West End Blues." Describing Armstrong's West End" cornet solo, Gunther Schuller opined that it was, ..."an impassioned almost stammering repetitive phrase that seems to float, completely unencumbered, above the accompaniment." Thus, the most important recording in jazz history. What does ...
Continue Reading...Martin Wind Quartet: Turn Out the Stars
by Mark Corroto
Has an artist ever been characterized as a hopeful romantic? If not, then let us nominate Martin Wind, not as hopeless, but a bullish and inspiring romantic. His quartet and the 36- piece Orchestra Filarmonica Marchigiana tribute to pianist Bill Evans Turn Out The Stars marries his talents, both as a jazz bassist/bandleader and orchestral arranger. Besides leading his own quartet, and working in trio with Bill Mays and Matt Wilson, and in the guitar/bass duos with Philip ...
Continue Reading...Clayton-Hamilton Jazz Orchestra at Mesa Arts Center
by Patricia Myers
Clayton-Hamilton Jazz Orchestra Mesa Arts Center Mesa, Arizona March 7, 2014 The Clayton-Hamilton Jazz Orchestra, one of the best big bands in the nation for three decades, swung mightily all night long with strong section work and stylish solos arranged for specific members, per Duke Ellington and Count Basie. A brief post-intermission QA period from triumverate co-leaders bassist John Clayton, saxophonist Jeff Clayton and drummer Jeff Hamilton added personal insights for a full house of ...
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