Jazz Articles
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Hank Marvin Gypsy Jazz: Django's Castle
by Tyran Grillo
The name Hank Marvin may not be as internationally well known as those he's influenced (Jimmy Page, Eric Clapton, and Mark Knopfler, to name a few), but intimations of his characteristic vibrato have emanated from many a six-string since he first backed Cliff Richard with his band the Shadows in the late 1950s. Marvin has enjoyed continued success as a solo artist, most recently in the present trio with accordionist Nunzio Mondia and rhythm guitarist Gary Taylor. Mondia and Taylor ...
Continue Reading...Wil Blades: Field Notes
by Chris M. Slawecki
It's good to know that no matter how many things change around us, there's still nothing that kicks out the jams like a good old school B-3 organ, guitar and drum trio. Wil Blades provides an excellent case study in groove. Throughout the past fifteen years, this B-3 bombardier has worked with blues and jazz greats both old school and new, such as Joe Louis Walker, Idris Muhammad, Melvin Sparks, Karl Denson, Billy Martin (Medeski Martin & Wood), ...
Continue Reading...What a Wonderful World (of Music)
by Chris M. Slawecki
Wil Blades Field Notes Royal Potato Family 2014 It's good to know that no matter how many things change around us, there's still nothing that kicks out the jams like a good old school B-3 organ, guitar and drum trio. Wil Blades provides an excellent case study in groove. Throughout the past fifteen years, this B-3 bombardier has worked with blues and jazz greats both old school and new, such as ...
Continue Reading...Akira Sakata, Giovanni Di Domenico, John Edwards, Steve Noble: Live at Cafe Oto
by John Eyles
Recorded in concert at London's Cafe Oto in January 2014, this album features the kind of cosmopolitan ensemble in which the venue specialises. It brings together veteran Japanese reedsman Akira Sataka and Spanish pianist Giovanni Di Domenico with London's own John Edwards and Steve Noble. The latter pair have virtually become the house bassist and drummer at Cafe Oto, appearing with many visiting musicians, some of whom play at the venue for that very reason. It is no exaggeration to ...
Continue Reading...Kid Millions & Jim Sauter: Fountain
by Mark Corroto
Fountain, the duo by Jim Sauter and Kid Millions, could easily be mistaken for the work of noise artist Merzbow and Hungarian drummer Balázs Pándi, Japanese guitarist Keiji Haino and Rashied Ali, or guitarist Ed Ricart and Chicago drummer Tim Daisy. Sauter of the infamous free jazz noise band Borbetomagus creates sound often mistaken for guitar feedback. The kind comparable to the above artists or an extended solo by the late Jimi Hendrix, but he does all this with an ...
Continue Reading...Now's the time III: The best in contemporary jazz from France and [tax haven] Luxembourg
by John Ephland
Every. One. Of. These. Tracks. Is. A. Keeper. To be swept up in a fervor when listening to music (always an unexpected pleasure) and finding it next to impossible not to write about the experience--during as well as after--is the dream all music journalists crave and celebrate every time they find themselves returning to that zone. Indeed, and in case you didn't know, every one of the writers you read here at allboutjazz.com writes for free. Why? My guess is ...
Continue Reading...Joana Espadinha: Avesso
by Chris Mosey
Avesso is Portuguese for inside out." It is also used unkindly to imply that someone is a mess. Singer/songwriter Joana Espadinha sees it differently. For me avesso is vulnerability and truth. I see it as the moment after a storm or a war when everything is clear and you can find peace." She gazes earnestly from the cover of her debut album, blue eyes wide open, as if laying her very soul on the line. The title ...
Continue Reading...The Matthew Yeakley Group: Clean Numbers & Dirty Words
by Paul Naser
The electric guitar has a history of players with fierce energy, and L.A. based guitarist Matthew Yeakley fits right into this tradition. Having studied with jazz guitar legends Scott Henderson and Jimmy Wyble, Yeakley has a refreshing blend of modern influence and tradition; he also cut his teeth performing in blues clubs in his native San Diego, which might explain how he is so adept with both blues licks and bebop vernacular. His formidable debut as a leader, the double ...
Continue Reading...Catching up with Pamela Hetherington
by Pamela Hetherington
Meet Pamela Hetherington: Philadelphia native, jazz tap dancer, choreographer, dance educator; director of the tap and music collective Take It Away Dance. Instrument(s): Tap shoes, cajon, piano Teachers and/or influences? I grew up dancing with the best tap teachers in Philadelphia, including Rita Rue, Leon Evans, Delphine Mantz, LaVaughn Robinson and Robert F. Burden, Jr. I knew I wanted to be a musician when... I started studying jazz tap dance ...
Continue Reading...Sharel Cassity: Manhattan Romance
by Tom Pierce
Since she relocated to New York City in 1999, the steadily building career of this Oklahoma native includes a Bachelor's from the New School and a Master's at Juilliard. Sharel Cassity studied under a number of renowned saxophonists and recorded two CDs. The second, Relentless (Jazz Legacy, 2009), received a 4-star review in Downbeat, whose Critics Poll has consistently cited her as a Rising Star on alto sax. Her career includes performances as a leader at well-known venues, as well ...
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