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Lou Donaldson: Alligator Bogaloo – Blue Note 4263
by Marc Davis
Alligator Bogaloo is very much a product of its time--1967--and it is extremely groovy. Start with the cover. A woman with crazy eye makeup wears a nutty hijab-like getup and is waving her arms like an early-day Bangle walking like an Egyptian. Tres psychedelic. Well, no surprise there. It's April 1967. The Summer of Love is about to begin. In two months, Sly and the Family Stone will burst into the public's consciousness and create modern ...
Continue Reading...Matador: Matador
by Hrayr Attarian
Guitarist and singer Santiago Bogacz's, stage name Matador, second eponymous EP can easily serve as a score for an independent, art house, film. As with his first release Bogacz continues to explore and fuse Americana and Latin motifs but the current disc is thematically more cohesive and has a definite dramatic atmosphere. On Sin título #3" for instance, thick guitar chords simmer underneath his evocative vocals. Flamenco tinged phrases meld into the bluesy music creating a haunting and ...
Continue Reading...Alyssa Allgood: Lady Bird
by Chris Mosey
Today scat is, literally, a dirty word. In a more polite age it was what Louis Armstrong did when he forgot the words to Heebie-Jeebies." Such was Pops' influence that, even though it was a mistake, soon everyone was doing it. After bebop kicked in, King Pleasure took things further when he first improvised wordlessly, then wrote down his own words to James Moody's solo on I'm In The Mood For Love." Others followed ...
Continue Reading...Bly De Blyant: Hindsight Bias
by Glenn Astarita
This genre-leaping international trio is fronted by Norwegian drummer Øyvind Skarbø, and features Icelandic guitarist Hilmar Jensson (TYFT, Jim Black's AlasNoAxis) and Brooklyn-based multi-instrumentalist Shahzad Ismaily (Marc Ribot, John Zorn). With its second album, the trio's enterprising electro-organic mix proffers a sense of adventure via these compact and disparate pieces, underscored by memorable themes, which is a recurring factor that seeds a delightfully prismatic program. The musicians gradually construct a mid-tempo Indie-rocker with an appealing hook on Jiddu," ...
Continue Reading...Detroit Bop Quintet: Two Birds
by Mark Corroto
On December 21st 1947 Charlie Parker, Miles Davis, Duke Jordan, Tommy Potter, and Max Roach recorded four Parker compositions for Savoy at United Sound Systems recording studio in Detroit, Michigan. Parker's Quintet was in town for two weeks, performing and backing Sarah Vaughan at the El Sino Club. It appears that Parker hustled to lay down four sides before the 1948 recording ban was to go into effect. This is the same studio that would later record John Lee Hooker, ...
Continue Reading...Marshall Gilkes: Relishing Big Band Success
by R.J. DeLuke
Marshall Gilkes is a trombonist of monster chops and great taste whenever he puts the brass to his lips in any performance. He's seen sitting in the trombone section of the Maria Schneider Orchestra in recent years, and has associations with other big bands, either subbing in, or as a member of the WDR Big Band in Germany for a time earlier this decade. Gilkes also has extensive classical training (a few years ago he nearly landed the ...
Continue Reading...Spin Marvel: Infolding
by Dan Bilawsky
Spin Marvel is all about shaping sounds. Ambient landscapes, minimalistic tides, atmospherics, trance-inducing passages, and electro-acoustic marriages are all part of the package when this group gets going. When drummer Martin France put Spin Marvel together and orchestrated the creation of its eponymous debut, the band was presented as a quartet with trippy musical aspirations and the skills to pull off whatever it wanted. On the band's follow-up--Spin Marvel 2: The Reluctantly Politicised Mr. James (Edition Recrods, ...
Continue Reading...Jeff Cosgrove/Frank Kimbrough/Martin Wind: Conversations With Owls
by Mark Corroto
The opening track to drummer Jeff Cosgrove's third release under his own name is The Owl, listening to his composition brings to mind poet Carl Sandburg's words, The fog comes/on little cat feet/It sits looking/over harbor and city/on silent haunches/and then moves on." The composition is not what you might expect from a drummer led recording. Then again Cosgrove is not your typical skins thumper. The music barely blows the curtains aside as it tiptoes in, heels raised, walking on ...
Continue Reading...Yosi Levy: The Yosi Levy Acoustic Project
by James Nadal
Beyond the element of surprise found in the music of exotic lands, there is the alluring mystery which emanates from the ancestral origins of the culture itself. Guitarist Yosi Levy, with The Acoustic Project, has produced an amazing fusion of traditional Middle Eastern and Indian music injected with improvisational jazz textures and nuances, offering an amalgamation which sounds vaguely familiar yet remains furtive and mystical. Levy is an accomplished guitarist with an innate intellectual knowledge of Israeli music, ...
Continue Reading...Pat Metheny Group: Travels
by John Kelman
Pat Metheny GroupTravelsECM Records 1983 There are some records that cannot help but become etched in the memory as a reminder of times past... a happy circumstance, perhaps, or (though hopefully not) something less positive in one's life. Today's Rediscovery is an album that, no matter the time of year, brings back memories of warm summer evenings beneath a star-lit country sky. When Pat Metheny Group--the guitarist's then-six year-old group that had, by that ...
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