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Album Review

The Angelica Sanchez Nonet: Nighttime Creatures

Read "Nighttime Creatures" reviewed by Angelo Leonardi


Pubblicato dalla Pyroclastic Records, Nighttime Creatures è il magistrale debutto del nonet della pianista Angelica Sanchez, organico che riunisce alcuni protagonisti della scene musicali di New York, Los Angeles e San Francisco: i sassofonisti Chris Speed e Michael Attias, il clarinettista Ben Goldberg, il cornettista Kenny Warren, il trombettista Thomas Heberer, il chitarrista Omar Tamez, il contrabbassista John Hébert e il batterista Sam Ospovat. Trasferitasi nel 1994 a New York da Phoenix (Arizona), Angelica è parte dell'Exploding ...

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Album Review

The Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop

Read "In Memory of Mark Whitecage: The Nu Band Live At The Bopshop" reviewed by Mike Jurkovic


The fearless improvised legacy of veteran, free bop sax man Mark Whitecage may not hold a prominent place in the immediate lexicon of upstarts and legends, but the man could blow his horn. Whitecage could dice and slice a piece of music, solemn or otherwise, to shreds with his sharp metallic, testosterone tone then reassemble it seamlessly with his long, flowing phrases. So it is fitting and more than welcome that he brings it big time on this final recording ...

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Album Review

Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop

Read "In Memory of Mark Whitecage: The Nu Band Live At The Bopshop" reviewed by Troy Dostert


One of the underappreciated veterans of free jazz, Mark Whitecage passed away in March of 2021, leaving a well-established legacy of strong recordings in which his searing yet soulful alto saxophone merged with many of the more visible figures on the scene. Joe McPhee, Anthony Braxton, and Annette Peacock are just a few of the luminaries who partnered with Whitecage over the years. Perhaps his most fruitful period was the late 1990s and early 2000s, alongside the musicians in the ...

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Album Review

The Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop

Read "In Memory of Mark Whitecage: The Nu Band Live At The Bopshop" reviewed by Dan McClenaghan


Multiple reedman Mark Whitecage (1937-2021) may not have enjoyed the profile he deserved, but he was an extraordinary improvisational free-jazz force who recorded prolifically for CIMP Records. Bassist Joe Fonda, a member of Whitecage's Nu Band, enjoyed a forty year musical involvement with the man, and In Memory Of Mark Whitecage: The Nu Band Live At The Bop Shop is Fonda's posthumous tip of the hat to his old running mate. It is a recording bursting with the lifeforce --one ...

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Album Review

Thomas Heberer / Yoni Kretzmer / Christian Weber: Big

Read "Big" reviewed by John Sharpe


On a preliminary scan of the album sleeve, the instrumentation suggests chamber jazz, while the collective genesis of the six pieces suggests free jazz or free improv. But that tells only part of the story. In fact what German-born, NYC-based trumpeter Thomas Heberer (Nu Band, ICP Orchestra), Israeli saxophonist now resident in Brooklyn Yoni Kretzmer (Outnow label boss, 2 Bass Quartet, Five) and Swiss bassist Christian Weber (Michael Wollny, Lisa Allemano) demonstrate is a keenly honed unity of purpose which ...

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Album Review

Thomas Heberer, Achim Kaufmann: Knoten

Read "Knoten" reviewed by Alberto Bazzurro


Inciso a Berlino a fine 2011, Knoten ci ripropone uno dei musicisti più interessanti della nuova scena jazzistica europea, Thomas Heberer, qui in duo col piano (anche preparato) di Achim Kaufmann, magari poco noto dalle nostre parti, ma che vanta pur sempre collaborazioni con Han Bennink, Mark Dresser, George Lewis, Steve Swallow, Paul Rutherford, Tomász Stanko, Bob Brookmeyer e svariati altri nomi di primo piano. Della preziosità del linguaggio di Heberer e dei suoi “dotti" rimandi già ...

Album Review

Thomas Heberer's Clarino: Cookbook

Read "Cookbook" reviewed by AAJ Italy Staff


L'incorruttibilità di un'idea: il trio guidato dal trombettista tedesco Thomas Heberer, che come si notava recensendo il precedente Klippe rimanda a esperienze di jazz squisitamente da camera quali KoKoKo o il Contemporary The Threee & The Two di Shelly Manne con Giuffre e Shorty Rogers (The Three, ovviamente), riconferma capillarmente quanto espresso. Vale a dire una totale, monogama, fascinazione (reciproca: sua e nostra di ascoltatori) per una grammatica espositiva lieve, quasi incorporea, tale da rasentare il soffio, l'intangibilità dell'alito. Ognuno ...


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