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Jazz Articles about Blake Mills

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Album Review

Pino Palladino and Blake Mills: Notes with Attachments

Read "Notes with Attachments" reviewed by Chris May


Do not be put off by the cover. It might suggest inaccessible, up itself, bone-dry cerebralism, but the reality is contrariwise. Around a third of the music is vaguely reminiscent, in spirit if not in execution, of the 1949-1950 Birth Of The Cool sessions conducted by Miles Davis with arrangers Gil Evans, John Lewis, Gerry Mulligan and John Carisi. Much of the rest sounds like a sci-fi twist on traditional Senegambian music. The protagonists here—bassist Pino Palladino ...

3
Album Review

Pino Palladino, Blake Mills: Notes with Attachments

Read "Notes with Attachments" reviewed by Emmanuel Di Tommaso


Pino Palladino e Blake Mills firmano uno dei dischi più attesi dell'anno. Il polistrumentista e produttore californiano viene da un 2020 molto intenso, caratterizzato dall'uscita del suo album solista Mutable Set e da una serie di preziose collaborazioni con artisti del calibro di Bob Dylan e di Perfume Genius, che hanno realizzato due dei migliori dischi dello scorso anno. Palladino è uno di quei musicisti che non hanno bisogno di presentazioni e per i quali la lista delle collaborazioni parla ...

8
Album Review

Bob Dylan: Rough And Rowdy Ways

Read "Rough And Rowdy Ways" reviewed by Doug Collette


Bob Dylan's Rough And Rowdy Ways is a uniformly excellent piece of work. On these ten new original songs, the Nobel Laureate blends folk, blues and country music with just the slightest dash of gospel and, accompanied with sensitivity by his touring band (plus a few additional musicians including Blake Mills and Fiona Apple), the seamless sound makes this thirty-ninth Dylan studio album superior to both of the other standouts of recent years, Time Out Of Mind (Columbia, 1997) and ...

9
Album Review

Ted Poor: You Already Know

Read "You Already Know" reviewed by Chris May


Breaking news 3/23/20: Impulse! is getting its mojo back. Showing definite signs of, anyway... Since its glory days in the 1960s and 1970s, Impulse! has been little more than a logo wheeled out by its parent company, Universal Music, to lend credibility to unrelated one-off projects. Until very recently, the only newly recorded release worthy of Impulse!'s imprimatur was Alice Coltrane's swansong, Translinear Light, in 2004. Fast forward to 2018: A new dawn for ...


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