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There have been many memorable duet jazz recordings. Some that I would recommend to the listener are:
Art Pepper and George Cables Tête-à-Tête (Galaxy 5147, 1982)
Art Pepper and George Cables Going Home (Galaxy 5679, 1982)
Archie Schepp and NHØP Goin' Home (Steeplechase 31079, 1994)
Archie Schepp and NHØP Looking at Bird (Steeplechase 31149, 1994)
Oscar Peterson and Dizzy Gillespie Oscar Peterson and Dizzy Gillespie (Pablo 2310470, 1974)
Frank Morgan and George Cables Double Image (Contemporary 14035, 1987).
Stan Getz and Kenny Barron People Time (Gitanes 314 510, 1991)
And that is just a few.
The promotional material for Warren Vaché and Bill Charlap's 2gether claims that ..."this CD is different. A duo recording. Very intimate. Very beautiful." As much as this writer would like to dismiss this as advertising hyperbole on the part of Nagel Heyer, it is one of the finest discs to have crossed beneath my laser in a long time. Most certainly, this disc will be in my top ten at the end of 2001, when I am called upon to vote for the best releases of the last year.
There. The cat is out of the bag. So what is the big fuss anyway. Well, for one, Bill Charlap emerges from his first Blue Note Release to join traditional quarterback Warren Vaché for a little trip down the middle of the American Tin Pan Alley canon. I am not sure who is the most impressive. Charlap is competent in all styles of jazz. He displays the competence copiously while conversing with the conservative Vaché, who has a well-established history of performing traditional jazz with grace an panache. The disc is summed up on the closing "St. Louis Blues," where Vaché honors Satchmo and Charlap honors Fatha. The two musicians engage in a mutual admiration dance that never disintegrates into sentimentality. This is strictly music for its own sake. All pieces are carefully chosen and played. Each musician has solo space: Bill Charlap on his "Nip-hoc Waltz" and Vaché on Charlap's "Etude #2." Both players prove they can excel in small confines, no easy feat.
Track Listing: If I Should Lose You; You And The Night And The Music; Darn That Dream; What'll I Do; Easy Living; Nip-Hoc Waltz, Etude #2; Soon, Dancing On The Ceiling; Prelude To A Kiss; St. Louis Blues. (Total Time: 52:34
Personnel: Warren Vache: Coronet; Bill Charlap: Piano.
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop
I love jazz because with it I found my true voice. I have always sung since I was a very small child in school and church. And there have been many genre that I have enjoyed including spiritual, folk, country, latin, soca and pop. But nothing has touched my artistic sensiblities like JAZZ! Two years ago I moved to Sarasota, FL where I renewed my focus on my singing career and I was so impressed with the quality, quantity and generousity of talented jazz musicains in the Suncoast area. I soon partnered with piano legend Billy Marcus and his trio with Don Mopsick and Stephen Bucholtz. What a blast working with these guys and having them back me up on my first jaz album, Here's To You... which was just released on October 1st. I can't wait to see where the coming year brings me! Check out syniacarrolljazz.com