Gil Goldstein: Under Rousseau's Moon: Live at the Blue Note

John Kelman By

Sign in to view read count
Gil Goldstein: Under Rousseau's Moon: Live at the Blue Note Instrument endorsements have become standard fare in CD liner notes. On pianist/accordionist Gil Goldstein's first album as a leader in nearly fifteen years, they say that "He uses Sibelius Music Writing software and pencils by Rocket Manufacturing —and that's a statement. Always a fine player since emerging on three 1976 albums with guitarist Pat Martino, including the now-classic duet record We'll Be Together Again (Muse, 1976), Goldstein has become equally in demand as a first-call arranger, orchestrator, conductor and producer. Under Rousseau's Moon gives Goldstein the opportunity to showcase all his skills, and completely on his own terms.

With a sextet featuring vibes, bass and a trumpet/saxophone front line, things sound conventional enough. But the enlistment of Don Alias—who passed away in March, 2006, three short months after this album was recorded—instead of a conventional drummer creates a lighter, yet no less propulsive vibe. Guitarist Steve Khan has said that "no one had more swing on the congas in jazz than Don Alias, and this album is a fitting final document of this inestimable percussionist. But Goldstein ups the textural ante even further by also adding his Zebra Coast String Trio, providing a large palette from which to work.

Inspired by the writing and arranging of the late Jaco Pastorius and Gil Evans, the album opens with Evans' lush arrangement of "The Moon Struck One by The Band's Robbie Robertson, reworked by Goldstein for this unique nonet. It segues into an abstruse passage for vibes, bass, strings and percussion that ultimately resolves into an innovative take on Charlie Parker's "Donna Lee, and with bassist Richard Bona on board, it can't help but be referential to the version on Pastorius' 1976 Epic debut. Still, Bona's no mere imitator, even when he interprets Pastorius' signature lines on the bright "Liberty City, where Mike Mainieri's vibes take the place of the original's steel drums and Alias proves the truth of Khan's accolades.

The disc may draw strength from the arrangements, but there's no shortage of outstanding playing from everyone, either. Saxophonist Chris Potter continues to prove that he's the Michael Brecker of his generation, capable of fitting into any context. Trumpeter Randy Brecker not only makes a characteristically strong showing on "Liberty City, but Goldstein creatively melds his classic Brecker Brothers tune, "Some Skunk Funk, with the classic "Boplicity (from the 1949 Miles Davis classic Birth of the Cool). Pastorius' lyrical "Three Views of a Secret, where Goldstein's accordion meshes seamlessly with the strings, has never sounded so beautiful.

Beauty is, in fact, the operative word for this set. From the standard "Moonbeams to Richard Bona's achingly sublime vocals on his own "Suninga, Under Rousseau's Moon feels like the album Goldstein has been waiting to make all his life. Let's hope another fifteen years don't have to pass until the next one.

Track Listing: The Moon Struck One; Donna Lee; Three Women; Good Morning Anya; Bass Solo; Boplicity/Some Skunk Funk; Sarah's Touch; Percussion Solo; Liberty City; Three Views of a Secret; The Camel's Lament; Moondreams; Suninga.

Personnel: Gil Goldstein: piano, accordion; Don Alias: percussion; Richard Bona: bass, vocals; Randy Brecker: trumpet; Mike Mainieri: vibraphone; Chris Potter: saxophones, bass clarinet; The Zebra Coast String Trio: Joyce Hammann: violin; Lois Martin: viola; David Eggar: cello.

Title: Under Rousseau's Moon: Live at the Blue Note | Year Released: 2006 | Record Label: Half Note Records


comments powered by Disqus

More Articles

Read The Company I Keep CD/LP/Track Review The Company I Keep
by Dan Bilawsky
Published: June 28, 2017
Read Ma De Re Sha CD/LP/Track Review Ma De Re Sha
by Geno Thackara
Published: June 28, 2017
Read Ask Seek Knock CD/LP/Track Review Ask Seek Knock
by Roger Farbey
Published: June 28, 2017
Read Air and Light and Time and Space CD/LP/Track Review Air and Light and Time and Space
by John Eyles
Published: June 28, 2017
Read Eleven Cages CD/LP/Track Review Eleven Cages
by Dan Bilawsky
Published: June 27, 2017
Read Afro-Caribbean Mixtape CD/LP/Track Review Afro-Caribbean Mixtape
by Mark F. Turner
Published: June 27, 2017
Read "Double Strike" CD/LP/Track Review Double Strike
by James Nadal
Published: May 31, 2017
Read "Greatest Licks - I Feel Like Singin'" CD/LP/Track Review Greatest Licks - I Feel Like Singin'
by Chris Mosey
Published: March 25, 2017
Read "So Beautiful, It Starts To Rain" CD/LP/Track Review So Beautiful, It Starts To Rain
by John Sharpe
Published: December 11, 2016
Read "Acceptance" CD/LP/Track Review Acceptance
by Jim Olin
Published: June 30, 2016
Read "Like Songs Like Moons" CD/LP/Track Review Like Songs Like Moons
by Dan McClenaghan
Published: March 13, 2017
Read "Smooth Shake" CD/LP/Track Review Smooth Shake
by Jack Bowers
Published: January 3, 2017

Smart Advertising!

Musician? Boost your visibility at All About Jazz and drive traffic to your website with our Premium Profile service.