Jazz Articles about Gil Goldstein

Letizia Gambi: Blue Monday

by James Nadal
March 20, 2016

As the world continues to shrink--musically speaking of course--the melding of American jazz with Mediterranean melody is another spin cycle that makes appreciation of this evolving art form so interesting. With high expectations, Neapolitan vocalist Letizia Gambi, which hails from a theatrical family, and has extensive jazz education, releases Blue Monday, an exuberant and ambitious production that takes jazz on a romantic Italian holiday. After a collaboration with drummer extraordinaire Lenny White in 2009 led to “Introducing Letizia ...

Oscar Penas: Music Of Departures And Returns

by Dan Bilawsky
May 3, 2014

In putting together his fourth album, guitarist Oscar Penas looked to composers he connects with, songs that speak to him, and originals that fit comfortably with the rest. That's the concept here, plain and simple, and the end result is a thirty-eight minute beauty that's alluring and completely accessible. Two different rhythm sections and three guests come and go during these eight tracks, but Penas' presence ties everything together. The first three numbers--a cheery choro featuring clarinetist ...

Oscar Penas: From Now On

by Dan Bilawsky
July 21, 2011

The music on From Now On is modern jazz marinated in the seductive flavors of Spain and South America. Guitarist Oscar Peñas' path lead him from Barcelona to Brooklyn, NY, and this geographic duality is ever-present in the intriguing blend of music that's presented on this, his debut for BJU records. While Iberian-influenced guitar lines often set the stage and thread their way through the music, this record goes well-beyond any single style or influence. Peñas' writing ...

Gil Goldstein: Under Rousseau's Moon: Live at the Blue Note

by John Kelman
August 26, 2006

Instrument endorsements have become standard fare in CD liner notes. On pianist/accordionist Gil Goldstein's first album as a leader in nearly fifteen years, they say that “He uses Sibelius Music Writing software and pencils by Rocket Manufacturing --and that's a statement. Always a fine player since emerging on three 1976 albums with guitarist Pat Martino, including the now-classic duet record We'll Be Together Again (Muse, 1976), Goldstein has become equally in demand as a first-call arranger, orchestrator, conductor and producer. ...

Tom Scott with Special Guest Phil Woods: Bebop United

by Michael P. Gladstone
May 11, 2006

The unblemished record of Pittsburgh's Mancheaster Craftsmen's Guild as a venue for recording jazz albums continues with the this new recording from Tom Scott with special guest Phil Woods. Scott has amassed a lengthy discography which has reflected high energy fusion, pop-soul and smooth jazz over the past two decades. His earlier years, however, found him playing strongly as a member of the Don Ellis and Oliver Nelson Big Bands.

In 1992, Scott returned to the mainstream with Born Again, ...

Tom Scott: Bebop United

by Jim Santella
February 25, 2006

For Bebop United Tom Scott convened a a group of veterans for a straight-ahead live auditorium performance in Pittsburgh. His cohesive ensemble interprets each selection with a comfortable groove and a lot of soul. Featuring Phil Woods on three numbers, the concert brings slow ballads and up-tempo romps to its audience convincingly. Trumpeter Randy Brecker and tenor saxophonist Scott provide much of the dialogue, each bringing a warm presence to the concert.

For “His Eyes, Her Eyes, soloists ...

Tom Scott: Bebop United

by John Kelman
February 23, 2006

He's had a multifaceted career in almost every imaginable area of jazz--not to mention working as a gun for hire on albums by singer/songwriters like Joni Mitchell and Carole King. It's easy to forget that saxophonist Tom Scott actually started out as a jazz traditionalist. While his own albums have leaned more towards fusion and contemporary jazz, the early days of his career found Scott cutting his teeth on albums by Oliver Nelson, Don Ellis and Thelonious Monk.

So when ...