Nicola Conte: Umoja

Nicola Conte continues on his journey from acid-jazz bohemian to spiritual-jazz sophisticate with this immaculately hip album, fronted on half of its tracks by London-based soul-jazz divas Zara McFarlane and Bridgette Amofah.

Conte began his trajectory with the acid-jazz template Jet Sounds (Schema, 2000), boosted it with Jet Sounds Revisited (Schema, 2002) and, after a brief post-hard-bop detour with Other Directions (Blue Note, 2004), began the spiritual-jazz ascent which has in 2023 reached its new, lofty apogee with Umoja. At all stages, Conte's role has been less that of an instrumentalist and more concerned with composing, arranging, selecting the musicians and producing the sessions.

There is a distinctive, singular thread running through Conte's twenty-three year recorded output. This is a result, in part, of his longtime residence in Bari, an off-the-beaten-track seaport on the heel of Italy's boot on the country's southern Adriatic coast, its location rendering it well placed to shrug off the passing fads and fashions of Rome and Milan. Conte first came to attention in Bari in the 1990s with his Fez Collective, a loose coalition of progressively minded jazz musicians, DJs and cultural activists clustered around the town's alternative club world. Fez was a sort of latter-day musical equivalent of a mid-twentieth century European literary salon.

Continuity has also been created by Conte's collaborator Tommy Cavalieri, at whose Sorriso Studio in Bari Conte's most characterful releases, from Jet Sounds to Umoja, have been recorded.

The new album kicks off with six tracks on which McFarlane and Amofah alternate as lead singers. Within their broadly humanistic paradigm, the lyrics address particular sociopolitical issues such as ethnic identity, and without resorting to prosaic agitprop. The singers are supported by an achingly funky core lineup comprising tenor saxophonist Timo Lassy, multi-keyboardist Pietro Lussu, guitarist Alberto Parmegiani, alternating bassists Ameen Salim, Marco Bardoscia and Luca Alemanno, percussionist Abdissa Assefa and drummer Teppo Mäkynen. Another eleven guest singers and instrumentalists weave in and out (see below for details).

The tracks featuring McFarlane and Amofah are the peaks of the album, for which an honourable mention goes to Lassy, whose sensuous, Pharoah Sanders-like vocalisations behind the singers are terrific. Assefa's percussion work is also noteworthy. And a shoutout, too, for the instrumental tracks "Heritage," featuring flautist Milena Jancuric, and "Arise (Instrumental)," the sans-vocals version of McFarlane's opening track, which features vibraphonist Simon Moullier.

Only on "Into The Light Of Love," featuring male vocalist Myles Sanko, and its album-closing instrumental version, does Conte take his eye, briefly, off the ball, giving us rather too much lurve and a busy but bland quiet-storm vibe. For the rest, Umoja contains some of Conte's most satisfying work to date.

Londoners may like to know that Conte and his band—including McFarlane—will be performing Umoja at Ronnie Scott's on Thursday 8 June.

The single "Arise" has been released (check the YouTube below). Umoja is scheduled for 30 June 2023.

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