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Violinist Mark Feldman and his wife, pianist Sylvie Courvoisier eloquently morph restraint, depth and a contemporary classical touch into the progressive-jazz idiom on this 2010 release. Respectively, the musicians are ceaselessly engaged within the new music style of jazz and improvisation, having recorded for several record labels, spanning several years. No doubt, the duo's venerable artistic propensities unravel in resplendent fashion on To Fly To Steal.
The quartet manifests a self-identity during these emotively imbued works, designed with asymmetrical pulses, and brisk unison lines to contrast improvisation-based call and response frameworks. It's an undulating program, kindled by Feldman's climactically executed staccato phrasings and synergistic interplay with Courvoisier. Coupled with emphatic tension-and-release statements, the band abides by a democratic outlook.
Drummer extraordinaire Gerry Hemingway is an accelerator via his loose groove, polyrhythmic rolls, snare hits and cymbal swashes while attaining a prolific partnership with up and coming bassist, Thomas Morgan. During these buoyant and multidirectional pieces, the quartet seamlessly combines austere structure and sprawling improv segments. They flourish as a unit capable of untangling an abundance of mood-evoking notions amid variable levels of intensity.
Feldman and Courvoisier profess their superior techniques with minimalistic and sometimes, playful exchanges. And they venture into ethereal vistas on "Fire, Fist And Bestial Wall," where Courvoisier gently plucks the piano strings to elicit a rhythmic hue, complementing Feldman's sonorous passages. Here and elsewhere, the band delves into abstract impressionism while injecting chamber influences within angular noise-shaping jaunts. In a sense, they seem to be realigning the cosmos by generating the requisite amalgamations of power, eloquence and boundless ingenuity.
Track Listing: Messiaenesque; Whispering Glades; The Good Life; Five Senses Of Keen; Fire, Fist And Bestial Wall; Coastlines; To Fly To Steal.
Personnel: Sylvie Courvoisier: piano; Mark Feldman: violin; Thomas Morgan: bass;
Gerry Hemingway: drums.
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach
I was first exposed to jazz when I was studying at the University of Puerto Rico. Nearby, I found a little record shop where the music coming from the store (Taller de Jazz Don Pedro) made me stop. I walked down the short stairs and towards the music and learned that the music playing was Clifford Brown and Max Roach. I fell in love with it. I wondered around until the owner (Pedro Soto) asked if I needed help. He then introduced me to John Coltrane, Miles Davis, Gerry Mulligan and the rest is history. I walked out of the store with my first jazz recording: Clifford Brown and Max Roach at Basin Street.