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Jazz Articles about Sylvie Courvoisier

5
Live Review

Sylvie Courvoisier, Wadada Leo Smith and Mary Halvorson at Roulette

Read "Sylvie Courvoisier, Wadada Leo Smith and Mary Halvorson at Roulette" reviewed by Paul Reynolds


Sylvie Courvoisier, duets with Wadada Leo Smith and Mary Halvorson Roulette Intermedium New York, NY December 7, 2025 So far this jazz season, you'd be hard-pressed to find a double bill as savvy, timely and well-located as Sunday's concert of duets at Roulette Intermedium in Brooklyn. In successive sets, pianist Sylvie Courvoisier played with her partners for two acclaimed duo albums in 2025: trumpeter Wadada Leo Smith, with whom she recorded Angel Falls (Intakt Records, 2025), and ...

16
Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by John Sharpe


Vibraphonist Patricia Brennan continues to redefine her creative horizons on Of The Near And Far, a fourth leadership date that expands her sonic blueprint without tempering the imagination that has marked her rise. Each of its predecessors has been completely different, from the horn-rich Breaking Stretch (Pyroclastic, 2024), to the percussion-centered More Touch (Pyroclastic, 2022), to her debut, the solo Maquishti (Valley Of Search, 2021). She avoids familiar paths once again here, writing for an accomplished ten-strong unit which merges ...

Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by Angelo Leonardi


In un paio d'anni, Patricia Brennan è balzata ai vertici del jazz più innovativo. Se già il magistrale e pluripremiato Breaking Stretch (Pyroclastic Records, 2024) era un salto avanti rispetto ai precedenti More Touch (Pyroclastic Records, 2022) e Maquishti, stavolta la vibrafonista d'origine messicana presenta un'opera ancor più sorprendente, cambiando organico in un'esplorazione ambiziosa e audace. «Sono sempre stata affascinata dal cielo e dalle stelle--dice la Brennan. Se guardi attentamente, tutto può essere collegato attraverso forme geometriche. Ho ...

11
Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by Mike Jurkovic


Peerless, vibe-savvy vibraphonist Patricia Brennan minces no fools from the get go, launching Of The Near And Far with the kick-ass lead single (singles? They still make singles? In this day? In this age?) “Antilla." A new jazz standard by any stretch of the imagination, “Antilla" is a sleek, hypnotic beauty that gears you into the groove and holds you there. It is the first yin to the yang of Of The Near And Far. On the heels of ...

15
Album Review

Patricia Brennan: Of the Near and Far

Read "Of the Near and Far" reviewed by Troy Dostert


Not one to rest on her laurels, vibraphonist/marimbist Patricia Brennan has continued to challenge herself and her listeners with each stop in the studio. Her tireless dedication to her craft is undoubtedly one of the reasons for her meteoric rise in the creative jazz community, which could be charted particularly after 2021 when she released her propitious solo disc, Maquishti (Valley of Search) . Since then she has had barely a moment's pause, with More Touch (Pyroclastic) coming in 2022 ...

13
Album Review

Sylvie Courvoisier: Angel Falls

Read "Angel Falls" reviewed by Mike Jurkovic


The history of humankind resounds with the sound of piano/trumpet duets. But not like this one. Not like Angel Falls. Because the true beauty of Angel Falls is that grandmaster Wadada Leo Smith, aided and abetted by the fervent curiosity of Brooklyn- based/Switzerland native pianist Sylvie Courvoisier, enlists the listener as an active creator in truly beatific, beautiful music.  That is a magic thing that does not happen often. All too often, the audience is reduced to listening ...

14
Album Review

Sylvie Courvoisier and Wadada Leo Smith: Angel Falls

Read "Angel Falls" reviewed by Jack Kenny


Wadada Leo Smith describes his music not as “jazz" but as “creative music." He rejects the term “improvisation" in favor of “creation." These specific word choices reflect his unique approach, which is deeply rooted in his early experiences with blues and R&B. Smith uses the full range of his instrument and plays at his own pace, with a profound understanding of the power of silence and space. For him, space is as important as the notes themselves, allowing ...


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