All About Jazz

Home » Articles » CD/LP/Track Review

99

Trio M: The Guest House

Troy Collins By

Sign in to view read count
Historically, the most revered jazz piano trios tend to erase the distinction between leader and accompanist; empathetic listening skills and quicksilver responsiveness enable adroit performers to spontaneously shape the melodic, harmonic and rhythmic contours of the music in democratic fashion. The esteemed Trio M, whose personnel boasts pianist Myra Melford, bassist Mark Dresser and drummer Matt Wilson, is one such collective. Though Melford's return to the classic acoustic trio format that established her reputation in the early 1990s is notable, Trio M is a true cooperative; the leaderless group uniformly divides composing and improvising duties.

What makes this trio of equals unique is its ability to integrate disparate forms with a singularly organic sensibility. Unbound by notions of genre or style, Trio M's sophomore effort, The Guest House, expands on its stellar 2006 debut, Big Picture (Cryptogramophone), encapsulating myriad moods that range from atmospheric impressionism to abstract expressionism. While the basic elements are familiar (earthy blues, free jazz deconstructions, neo-classical frameworks), the quixotic logic that connects them is far more arcane.

As adherents of Dresser's "Telematic" improvising concept, Melford and Dresser have developed a virtually telepathic rapport in recent years, yet Wilson's keen contributions are no less clairvoyant. The drummer's infectious energy elevates the bandstand, whether galloping through the jaunty bop of his beguiling homage "Don Knotts" or sauntering behind the beat of Dresser's languid, but deceptively complex swinger, "Kind of Nine." Melford's intrepid virtuosity is consistently breathtaking, whether lilting through the euphonious changes of the Zimbabwean-themed "Ekoneni" or navigating the angular intervals of "The Promised Land" with atonal abandon. Dresser's contributions are equally revelatory; his extended bowing technique repeatedly transcends conventional tonality with a scintillating display of coruscating harmonics.

Unfettered diversity is the Trio's key attribute, and although the threesome's vigorous exchanges are immediately appealing, it's only one facet of their talents. Encompassing a full range of dynamics, the bluesy title track is both accessible and challenging, suddenly shifting from celebratory fanfare to somber dirge at the coda. Wilson's "Hope (for the Cause)," dedicated to the cancer relief organization Relay for Life, is the date's most lyrical ballad, ebbing with pellucid piano ruminations, doleful arco glissandi and atmospheric cymbal washes. The episodic "Tele Mojo" embodies the best of both worlds, gradually modulating from harmonious aleatoric discourse to an expansively rhapsodic excursion that dramatically builds to a bristling free-form climax.

The Guest House offers an impressive overview of Trio M's capabilities, from the introspective musings of Melford's Rumi poetry-inspired "Even Birds Have Homes (to return to)" to the gospelized fervor of Wilson's rousing Albert Ayler tribute, "Al." Liberally informed by past traditions and bolstered by spirited interplay, Melford, Dresser and Wilson's thrillingly unpredictable performances update the venerable piano trio tradition with bold invention.

Track Listing: The Guest House; Don Knotts; Kind Of Nine; Sat Nam; Hope (for the Cause); The Promised Land; Tele Mojo; Al; Even Birds Have Homes (to return to); Ekoneni.

Personnel: Myra Melford: piano; Mark Dresser: bass; Matt Wilson: drums.

Title: The Guest House | Year Released: 2012 | Record Label: Enja Records

Tags

Related Video

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

CD/LP/Track Review
Read more articles
The Guest House

The Guest House

Enja Records
2012

buy
Big Picture

Big Picture

Cryptogramophone
2008

buy
Big Picture

Big Picture

Cryptogramophone
2007

buy

Related Articles

Read For You CD/LP/Track Review
For You
by Patrick Burnette
Published: November 12, 2018
Read Espace Cardin 1977 CD/LP/Track Review
Espace Cardin 1977
by Karl Ackermann
Published: November 12, 2018
Read Song of No Regrets CD/LP/Track Review
Song of No Regrets
by Peter Hoetjes
Published: November 12, 2018
Read Ay  Que Boogaloo! CD/LP/Track Review
Ay Que Boogaloo!
by Chris M. Slawecki
Published: November 12, 2018
Read When Sunny Gets Blue: Spring ’68 Sessions CD/LP/Track Review
When Sunny Gets Blue: Spring ’68 Sessions
by Roger Farbey
Published: November 12, 2018
Read Lake Geneva CD/LP/Track Review
Lake Geneva
by Dan Bilawsky
Published: November 11, 2018
Read "2" CD/LP/Track Review 2
by Glenn Astarita
Published: December 19, 2017
Read "Celebrating William Parker at 65" CD/LP/Track Review Celebrating William Parker at 65
by Victor L. Schermer
Published: December 14, 2017
Read "Powell To The People" CD/LP/Track Review Powell To The People
by Jim Worsley
Published: May 16, 2018
Read "Distant Early Warning" CD/LP/Track Review Distant Early Warning
by Gareth Thompson
Published: April 3, 2018
Read "Spiritual Eternal: The Complete Warner Bros Studio Recordings" CD/LP/Track Review Spiritual Eternal: The Complete Warner Bros Studio...
by Chris May
Published: November 1, 2018
Read "Hule" CD/LP/Track Review Hule
by Mark Corroto
Published: June 4, 2018