Charlie Shavers: The Everest Years

However, Empire Musicwerks has resurrected Shavers' recordings from the late fifties and sixties on Everest, a label that was a refuge for many of the stars of the thirties and forties. Shavers is at the helm of a handful top-notch units, all capable of keeping pace with his boisterous precision. His style falls somewhere between the relaxed pacing of Dixieland and the rhythmic fix of swing, with a healthy dose of warmth and humor. "Girl Of My Dreams, a prime example, comes roaring out of the gate with a rhythm section that seems hell-bent on keeping the pedal to the floor. Most of these songs are old standards like "Loch Lomond and "Bye Bye Blackbird that Shavers can really dig into, and wisely there's never another horn to nudge his out of the spotlight.

Surprisingly, a session with Wild Bill Davis, Les Spann, and Grady Tate fails to generate much heat, just as the same combination failed to get things going on an earlier session led by Davis. But there's plenty of tasty soloing to go around otherwise. Empire Musicwerks has provided us with a valuable reissue of a man who, like too many, never got his due.

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