25

Michael Formanek’s Ensemble Kolossus: The Distance

Mark Sullivan By

Sign in to view read count
Jazz composers writing for large ensembles have often avoided the label "big band," going back to the Jazz Composer's Orchestra in the '60s, not to mention Sun Ra's Arkestra and the many Swing Era bands that called themselves orchestras. It's an understandable choice, given the unavoidable—and potentially limiting—stylistic associations that come with the big band name. Bassist/composer Michael Formanek playfully calls this 18-piece group Ensemble Kolossus: it represents a bold creative leap forward from his previous quartet recordings Small Places (ECM, 2012) and The Rub and Spare Change (ECM, 2010).

Formanek is no stranger to composing for large ensembles, having composed The Open Book for symphony orchestra with jazz soloists, which was premiered in 2007 at the Peabody Conservatory of Music in Baltimore, where he teaches jazz bass and jazz history, as well as directing the Peabody Jazz Orchestra. The centerpiece of this album—the nine-part "Exoskeleton"—runs for over an hour: an extended composition for an extended ensemble. Formanek says that he has never been interested in the traditional style of big-band writing, "because it's just been done so well so many times before." But opening track "The Distance" is a lyrical tone poem in traditional style, highlighting Brian Settles' solo tenor saxophone.

Part I of "Exoskeleton" is full of thick, modernist dissonance. Part II gets back to tradition, in the form of a slow drag, featuring soloists Chris Speed (tenor saxophone) and Kirk Knuffke (cornet). Then it's on to sparse, atmospheric territory in Part III, featuring soloist Ben Gerstein (trombone). Back to swing on Part IV, with solos from Ralph Alessi (trumpet) and Alan Ferber (trombone). Guitarist Mary Halvorson had been using some electronic effects during her comping, but her solo on Part V really shows them off, with its tremolo and whammy pedal pitch-bending.

Parts VI -VIII drive to the conclusion through the use of ostinato patterns. There are several soloists playing simultaneously on VI, while VII gives rhythm section members Patricia Franceschy (marimba), Tomas Fujiwara (drums) and Kris Davis (piano) a chance to shine. Formanek's sense of humor shows again in the subtitles: "Shucking While Jiving" and "A Reptile Dysfunction." Part VIII is labeled as a collective improvisation by the full ensemble, but it nonetheless builds to a return of Part VI's ostinato.

It's a big, colorful piece, full of stylistic variety. Dense ensemble sounds are balanced with sparser textures. Formanek has a collection of very distinctive players to draw on—including many of New York's busiest players—and since almost everyone gets at least one solo, their individual voices almost guarantee a certain kaleidoscopic character. Formanek chose to concentrate on playing bass as part of the rhythm section, so fellow bassist Mark Helias made an invaluable contribution as conductor. The Distance is a remarkable achievement, which Formanek's smaller ensembles have only hinted at.

Track Listing: The Distance; Exoskeleton Prelude; Exoskeleton Parts I-III; Exoskeleton Parts IV-V; Exoskeleton Parts VI-VII; Exoskeleton Part VIII.

Personnel: Saxophones/Woodwinds: Loren Stillman (alto saxophone); Oscar Noriega (alto sax/ clarinet, bass clarinet); Chris Speed (tenor sax, clarinet); Brian Settles (tenor sax, flute); Tim Berne (baritone sax); Trumpets: Dave Ballou, Ralph Alessi, Shane Endsley, Kirk Knuffke (cornet); Trombones: Alan Ferber, Jacob Garchik, Ben Gerstein, Jeff Nelson (bass trombone, contrabass trombone); Marimba: Patricia Franceschy; Guitar: Mary Halvorson; Piano: Kris Davis; Double-bass: Michael Formanek; Drums: Tomas Fujiwara; Conductor: Mark Helias.

Title: The Distance | Year Released: 2016 | Record Label: ECM Records


Tags

comments powered by Disqus

More Articles

Read The Study of Touch CD/LP/Track Review The Study of Touch
by Karl Ackermann
Published: October 20, 2017
Read Another North CD/LP/Track Review Another North
by Roger Farbey
Published: October 19, 2017
Read Gledalec CD/LP/Track Review Gledalec
by John Sharpe
Published: October 19, 2017
Read Flux Reflux CD/LP/Track Review Flux Reflux
by Glenn Astarita
Published: October 19, 2017
Read Christmas With Champian CD/LP/Track Review Christmas With Champian
by Dan McClenaghan
Published: October 19, 2017
Read Harmony of Difference CD/LP/Track Review Harmony of Difference
by Phil Barnes
Published: October 18, 2017
Read "A Tribute to Art Blakey and the Jazz Messengers" CD/LP/Track Review A Tribute to Art Blakey and the Jazz Messengers
by Mark Sullivan
Published: August 9, 2017
Read "Crack-Up" CD/LP/Track Review Crack-Up
by Doug Collette
Published: June 19, 2017
Read "New Affirmation" CD/LP/Track Review New Affirmation
by C. Andrew Hovan
Published: February 6, 2017
Read "Blue Canvas" CD/LP/Track Review Blue Canvas
by Dan Bilawsky
Published: January 4, 2017
Read "Wobbly Dance Flower" CD/LP/Track Review Wobbly Dance Flower
by Jerome Wilson
Published: October 4, 2017
Read "Good Merlin" CD/LP/Track Review Good Merlin
by C. Michael Bailey
Published: August 19, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.