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Myra Melford: Splash

by John Sharpe
Pianist Myra Melford returns to the classic piano trio format for the first time since The Guest House (Enja, 2011), her acclaimed outing with Trio M with Mark Dresser and Matt Wilson. This time, the lineup is no less formidable: bassist Michael Formanek and drummer/vibraphonist Ches Smith--both commanding improvisers and bandleaders--join her for a set that reaffirms the trio as a site for invention rather than formula. As with her 2022 quintet project For the Love of Fire ...
Continue ReadingJon Irabagon: Server Farm

by Vincenzo Roggero
Quando un agitatore musicale come Jon Irabagon, mente tra le più aperte, corrosive, imprevedibili e significative della scena jazzistica statunitense mette insieme un tentetto da paura per esplorare fatti e misfatti dell'intelligenza artificiale, curiosità e aspettative sono ai massimi livelli. E questo Server Farm le soddisfa pienamente, ennesima prova della grandezza di un musicista onnivoro in grado di esaltare ed esaltarsi in tutta la gamma di formazioni messe in campo negli ultimi quindici anni. Dal sax solo di ...
Continue ReadingJon Irabagon: Server Farm

by John Sharpe
Artificial Intelligence would have a hard job pinning down saxophonist Jon Irabagon's defining characteristics. When a player is as talented as Irabagon, who can turn his hand to almost any style, sometimes the challenge is to find a focus that stimulates. On Server Farm, Irabagon has taken the notion of AI and the ever increasing prevalence of the digital world as his casus belli. Not that he uses AI himself in composing the album, rather as the PR reveals, he ...
Continue ReadingJon Irabagon: Server Farm

by Dan McClenaghan
"The times they are a-changin.'" Bob Dylan said that in 1964. He was right. In 2025, they are still changing, perhaps most notably with the emergence of artificial intelligence. That previously slow creep--outlined so accurately in Arthur C. Clarke's novel 2001: A Space Odyssey in 1968, paired with Stanely Kubrick's movie of the same name--will build to a tipping point leading to an implosion. The takeover is inevitable. The only way to address it is through the arts. This is ...
Continue ReadingJon Irabagon: Server Farm

by Mike Jurkovic
Warning! Warning! Heads up! Spoiler alert! Server Farm has the potential to take your head to some random places. Some alarming (as all artists should be these days), Some cacophonous. Some claustrophobic. Others freeing, fleeting, fervent. Server Farm, saxophonist/composer Jon Irabagon's heatedly precise and prescient head-on clash with the threat of AI blisters the binary codes and algorithms of the connected world (which makes us all individual heads of the Hydra) both surgically and haphazardly, letting it all ...
Continue ReadingJeff Lederer, Mary LaRose: Schoenberg on the Beach

by Alberto Bazzurro
La copertina, scarna ed evocativa, con quel virato seppia che le dà tutto il fascino delle cose d'antan, dice già molto circa la tipologia e il tono del lavoro, firmato da Jeff Lederer in combutta con sua moglie, la cantante Mary LaRose, la quale attraversa il disco come una sorta di presenza parallela, districandosi--quando chiamata al centro delle operazioni--attraverso testi di autori anche molto illustri (Goethe, Nietzsche e Rilke bastano a rendere l'idea?) e musiche non solo del dedicatario dell'opera, ...
Continue ReadingNataniel Edelman Trio: Un Ruido De Agua

by John Sharpe
Born in Buenos Aires in 1991, Argentinean pianist Nataniel Edelman first met bassist Michael Formanek and saxophonist Michaël Attias when studying in New York City. He maintained the ties and the outcome was the three sessions under Edelman's leadership in a Berlin studio in 2022 which resulted in Un Ruido De Agua. It is not the first time he has recorded with the reedman, as Attias joined Edelman for a tour in his homeland in 2021, where the pianist, an ...
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