All About Jazz

Home » Articles » CD/LP/Track Review

Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

3

Dmitry Baevsky: The Day After

David A. Orthmann By

Sign in to view read count
Imagine a group that, in large measure, references the bebop revolution of nearly seventy-five years ago, yet steers clear of the pitfalls of nostalgia, hero worship, and blatant imitation, and ultimately wins the day with an adroit blend of teamwork and compelling individual voices. For those who believe that nothing good can come from contemporary players choosing to work an all-too-familiar vein of the jazz tradition, I suggest a visit with Dmitry Baevsky's band. Over the past several years, the alto saxophonist's quartet featuring pianist Jeb Patton, bassist David Wong, and drummer Joe Strasser, has often performed at Smalls Jazz Club in New York City. The fruits of their labor are documented for the first time in The Day After, Baevsky's sixth record date as a leader.

One of the record's primary strengths is the lasting impression made by the heads, leaving no doubt that they're as important as the solos that follow. The material feels lived-in, savored, respected, as opposed to expediently worked up for the record date. The group fully realizes a number of expressive perspectives. Baevsky's "Would You?," the opening track, is a graceful, courtly jazz waltz. Duke Pearson's "Chant" manages to wax shrewd and soulful without being too obvious about it. Patton's lickety-split "The Wise Ones" contains a number of dazzling twists and turns. Tom McIntosh's "The Day After" is a convincingly melancholy ballad. Victor Young's "Delilah" evinces a seductive, unhurried vibe. Much of the substance in these tracks lies in the details, such as the easy, natural sounding ways in which Patton supports and/or joins Baeveky in playing the melodies. Or, the exemplary hook-up between Wong and Strasser, in which the bassist lays down a sturdy, feel-good foundation that enables the drummer to use every component of his kit to make all manner of remarks about a song while remaining in the pocket.

The band's primary soloists, Baevsky and Patton, emerge in ways that display an acute awareness of the group as a whole. Throughout his turn on "Would You?," Baevsky persuasively asserts himself without becoming particularly verbose or forceful; often leaving enough space between tart, relatively concise phrases to allow the voices of each accompanying instrument to take effect. The title track finds him in an assertive ballad mode, gradually expanding and imaginatively building in strength without completely breaking ties to the tune's the melody. Patton's "Chant" solo is noteworthy for stability amidst changes in velocity and emphasis, as he leans against Wong's earthy walking bass, suddenly skips away from it with breathless single note lines, and invariably finds unexpected places to snap back into place. Left to his own devices at the onset of Baevsky's "Rollin'" and near the end of "Delilah," Strasser makes a deep impression with meticulous sticking and mallet strokes, a genuine feel for structure, and the ability to tell a story minus any extraneous details.

For anyone who appreciates shrewdly chosen material, a cohesive, interactive group sound, and solos that are nicely integrated into the whole presentation, I heartily recommend The Day After.

Track Listing: Would You?; Rollin'; Chant; Minor Delay; Hotel Baudin; The Wise Ones; The Day After; Four Seven Nine One; Delilah; I've Told Every Little Star.

Personnel: Dmitry Baevsky: alto saxophone; Jeb Patton: piano; David Wong: bass; Joe Strasser: drums.

Title: The Day After | Year Released: 2017 | Record Label: Jazz Family

Tags

comments powered by Disqus

CD/LP/Track Review
Live Reviews
CD/LP/Track Review
Read more articles
The Day After

The Day After

Jazz Family
2017

buy
Over and Out

Over and Out

Bluejazz
2015

buy
The Composers

The Composers

Sharp Nine Records
2012

buy
Down With It

Down With It

Sharp Nine Records
2010

buy

Related Articles

Read Fat Daddy CD/LP/Track Review
Fat Daddy
by Dan Bilawsky
Published: September 19, 2018
Read Short Stories CD/LP/Track Review
Short Stories
by Gareth Thompson
Published: September 19, 2018
Read UHHM CD/LP/Track Review
UHHM
by John Bricker
Published: September 19, 2018
Read Decoy CD/LP/Track Review
Decoy
by Glenn Astarita
Published: September 19, 2018
Read Paul Heller Meets Roman Schwaller CD/LP/Track Review
Paul Heller Meets Roman Schwaller
by Jack Bowers
Published: September 18, 2018
Read Change In The Air CD/LP/Track Review
Change In The Air
by Dan McClenaghan
Published: September 18, 2018
Read "Combsy" CD/LP/Track Review Combsy
by Doug Collette
Published: October 28, 2017
Read "Beautiful Liar" CD/LP/Track Review Beautiful Liar
by Patrick Burnette
Published: May 8, 2018
Read "From a Familiar Place" CD/LP/Track Review From a Familiar Place
by Dan McClenaghan
Published: December 23, 2017
Read "Veterans of Jazz" CD/LP/Track Review Veterans of Jazz
by Mark Sullivan
Published: November 22, 2017
Read "Journey Moments" CD/LP/Track Review Journey Moments
by Dan Bilawsky
Published: July 8, 2018
Read "Scarlett Roses" CD/LP/Track Review Scarlett Roses
by Doug Collette
Published: November 26, 2017