Results for "David A. Orthmann"
Steve Fidyk: Battle Lines
Battle Lines, the inaugural release of Steve Fidyk's Blue Canteen Music label, bears the stamp of a rhythm section capable of adroitly assuming multiple identities. During large portions of three amiable, bop-oriented tracks, “Bebop Operations," “#Social Loafing" and “Sir John," Fidyk's drums, bassist Michael Karn and pianist Peter Zak move the music along without any fuss ...
read moreJocelyn Gould: Elegant Traveler
The first thing that attracts attention on Elegant Traveler, Jocelyn Gould's debut as a leader, is her guitar's tone. The sound she coaxes from the instrument has a profound effect on the music as a whole, yet it remains intimate, unpretentious and disarming. Whether Gould is playing a melody, improvising, or offering sparse accompaniment, it is ...
read moreThe New York - Paris Reunion Quintet: Live at the Bird's Eye Jazz Club, Basel
Many of us dearly miss those life-affirming nights in jazz clubs when a band can do no wrong, blowing as if there's no tomorrow, and temporarily washing away the workaday realities of existence. The New York-Paris Reunion Quintet's Live at the Bird's Eye Jazz Club, Basel takes some of the yearning and emptiness out of waiting ...
read moreKen Fowser: Morning Light
Throughout Morning Light, Ken Fowser's latest Posi-Tone Records release, he poses a welcome alternative to the fast-lane excesses of some of his peers on the tenor saxophone. The first thing that sets him apart is a medium-weight tone which doesn't crave attention or take up too much room. His sound sets an example to the rest ...
read moreTasty Jazz Jams For Our Times
Tasty Jazz Jams For Our Times Debbie Burke 463 PGWA ISBN: #9781079108323 Self Published 2019 Tasty Jazz Jams For Our Times represents a kind of broad, sprawling, inconclusive entry into various aspects of the present state of jazz. While we're accustomed to weighing perspectives on the history of ...
read moreIn The Moment
The trail of splendid hard bop influenced recordings extends well beyond the genre's heyday of the 1950s and '60s. A case in point is trumpeter John Swana's appropriately titled In The Moment. The 1996 release on the Criss Cross Jazz imprint merits the exalted status of its celebrated predecessors. Captured in a one-day studio session, despite ...
read moreMichael Dease: Never More Here
Perhaps the most significant thing about Never More Here, trombonist Michael Dease's seventh outing for the Posi-Tone imprint, is the striking polarity of two of the disc's four outstanding tracks, “Mirror Image" and “Blue Jay." In a recording filled with compositions by J.J. Johnson, John Lewis, Jackie McLean and Jimmy Heath, pianist Renee Rosnes' ...
read moreTom Tallitsch: Ten
Ten is a recording that resides and functions well in a stylistic no man's land. Tenor and soprano saxophonist Tom Tallitsch and his clever band display little interest in paying homage to easily recognizable jazz styles; yet, they don't make a point of abandoning traditional practices either. Taking a stab at some basic descriptions of some ...
read moreAndy Fusco: Vortex
Vortex, Andy Fusco's fourth release on the SteepleChase imprint in as many years, is cause for celebration. Until recently, recordings by the veteran alto saxophonist as a leader have been few and far between. The date reunites Fusco with tenor saxophonist Walt Weiskopf, who composed four of the selections and arranged nine of the ten tracks. ...
read moreRabbit's Blues: The Life and Music of Johnny Hodges
Rabbit's Blues: The Life and Music of Johnny Hodges Con Chapman 218 ISBN: #978-0-19-0655390-3 Oxford University Press 2019 It's difficult to fathom the existence of a jazz musician in the position of a featured soloist of an internationally recognized large ensemble, year in and year out, for decades, making ...
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