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Keith Javors: Mo
by Mark Sabbatini
Mo' City Jungle is a bit like a mediocre blind date where the person in question makes a nice first impression but reveals an unpleasant identity crisis as the evening progresses. Pianist Keith Javors' third album is a bit frustrating because his septet of players indicate early what they're capable of, but seldom live ...
Harvie S: Texas Rumba
by Ken Franckling
The bassist formerly known as Harvie Swartz discovered something over the course of his varied career in jazz. Whenever he worked with a Latin band, he found it is nearly impossible for musicians and fans alike not to get caught up in the swaying, percussive and often steamy energy created on stage. Afro-Cuban music and other ...
Bobby Sanabria & : Bobby Sanabria & Quarteto Ache
by John Kelman
One of the most obvious things about watching Dizzy Gillespie, in particular when pursuing his Afro-Cuban muse, was how much fun he was having. All too often musicians become so entrenched in the seriousness of their work that they forget music is also meant to be passionate and pleasurable, as much fun to hear as it ...
Dave Liebman Group: In a Mellow Tone
by John Kelman
Don't let the title of Dave Liebman's latest disc, In a Mellow Tone, fool you. While the ambience is generally more relaxed than his usual fare, this is no easy-going collection of standards; instead what we have is an album that, for all its mellifluous aspirations, has a subtle intensity, and a certain feeling that all ...
Pablo Aslan: Avantango
by Elliott Simon
Two bodies entwine and then move with intense rhythm—this is tango. Bassist Pablo Aslan, an integral component of NYC’s Latin and downtown jazz landscapes, has provided rich tonality and compositional skill to projects with the late saxophonist/flutist Thomas Chapin, trumpeter Frank London, cellist Yo-Yo Ma, and clarinetist David Krakauer. In addition, Aslan is a major exponent ...
Keith Javors: Mo' City Jungle
by John Kelman
With a style that is reverential yet modern, Keith Javors’ Mo’ City Jungle pays tribute to the Detroit jazz scene with a programme of nine originals that bristle with energy, group interplay and soloing of the highest order. Javors is a thirty-something pianist who is also an educator at the University of North Florida; but refuting ...
Harvie S: Texas Rumba
by Jim Santella
Bridging the gap between Afro-Cuban jazz and modern jazz, Harvie S issues ten original pieces and one classic standard in support of the argument that Latin jazz consists of equal parts Latin and jazz. The leader’s 1996 visit to Cuba offered him the opportunity to study with masters in the field. Politics aside, ...
Pablo Aslan: Avantango
by Mark F. Turner
The exotic and romantic combination of tango and traditional jazz is distinctively expressed on Buenos Aires bassist Pablo Aslan's new recording. With energetic tension, the music on Avantango is performed with a style that is quite refreshing. An ardent musician and composer Aslan is at the pinnacle of his field and has earned accolades from performances ...
Harvie S: Texas Rumba
by Franz A. Matzner
Bassist/Composer Harvie S made two good decisions when producing his latest release, Texas Rumba : he emphasized his turn towards Latin Jazz, and he recorded it live, thus presenting to best advantage his bands ability to build energy, keep loose, and entertain. Unfortunately, the latter choice compromised the sound quality, leaving the recording ...
Harvie S: Texas Rumba
by C. Michael Bailey
Recorded live (as are all great jazz albums), Texas Rumba thunders with adore y la alegra. It is Latin Jazz fresh and crisp as spring tomatoes and cilantro. Harvie S (AKA Harvie Swartz) is an exceptional bassist, composer, and band leader who has immersed himself in the Latin music pabulum, transforming the style into a innovative ...
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