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24

Article: Interview

Kenny Garrett: The Value of Ancestors

Read "Kenny Garrett: The Value of Ancestors" reviewed by R.J. DeLuke


Saxophonist Kenny Garrett has always respected the music of his predecessors. He knows its importance. He knows the value of the tradition, knowledge and innovation passed on to new generations of musicians. He's recorded, for example, dedications to John Coltrane (Pursuance, Warner Bros., 1996), as well as Joe Henderson and Sonny Rollins (Trilogy, Warner ...

13

Article: Book Review

Vince Guaraldi at the Piano

Read "Vince Guaraldi at the Piano" reviewed by Nicholas F. Mondello


Vince Guaraldi at the Piano Derrick Bang 354 pages ISBN: # 978-078645902-5 McFarland & Company, Inc, 2012 Soon after autumn leaves fall, promos hit the airwaves for the various Charlie Brown Holiday specials. Those timeless animations are lathered up with marvelously hip jazz—that of pianist Vince Guaraldi. While umbilical tied ...

5

Article: What is Jazz?

Jazz Returns to Seattle's Central District: Two Evenings of Black Brilliance

Read "Jazz Returns to Seattle's Central District: Two Evenings of Black Brilliance" reviewed by Paul Rauch


There is a miracle on the corner of 12th Avenue and Jackson St. in what is now Seattle's “Little Saigon." In what was a traditional African American and Jewish community before the influx of Vietnamese, Cambodian and Laotian immigrants after the war in Southeast Asia in the early 1980's, this urban crossroads was the main pulse ...

27

Article: History of Jazz

Vince Guaraldi’s Christmas Sauce: Adding Spice to Charlie Brown Vanilla

Read "Vince Guaraldi’s Christmas Sauce: Adding Spice to Charlie Brown Vanilla" reviewed by Arthur R George


It's not simply that pianist Vince Guaraldi slipped jazz past the unsuspecting in composing A Charlie Brown Christmas, the evergreen “Peanuts" animation and soundtrack that has become inescapably part of the holiday. First broadcast in 1965, going on to six decades ago, A Charlie Brown Christmas is a tradition unto itself. It returns to television through ...

3

Article: Radio & Podcasts

Pat Metheny, Roland Hanna, Charlie Porter and more!

Read "Pat Metheny, Roland Hanna, Charlie Porter and more!" reviewed by Joe Dimino


We celebrate the early life of a Kansas City legend in guitarist Pat Metheny by way of the new book by author Carolyn Glenn Brewer called Beneath Missouri Skies. The 723rd Episode begins with a song off Side-Eye NYC. Then, we hear Pat's older brother Mike Metheny. From there, we celebrate new releases from Greg Germann, ...

2

Article: Radio & Podcasts

Joe Alterman: Seeking wisdom from the masters

Read "Joe Alterman: Seeking wisdom from the masters" reviewed by Leo Sidran


In this episode, pianist Joe Alterman talks about his new record The Upside of Down, southern charm, “finding in jazz and black music what [he] had tried to find in Synagogue," tipping the doorman, being born 50 years too late, playing for regular people, using adversity as an opportunity, what he learned from his friendships with ...

12

Article: Building a Jazz Library

Jon Hendricks: An Essential Top Ten Albums

Read "Jon Hendricks: An Essential Top Ten Albums" reviewed by Peter Jones


Considering he reached the ripe old age of 37 before recording an album, Jon Hendricks' jazz legacy is remarkable. Although a singer, in his head he was more of an instrumentalist. When he improvised, he would imitate the tenor saxophone, the flute, the trombone, or the double-bass. His professional singing career lasted from 1932, when he ...

5

Article: Live Review

The 2021 Detroit Jazz Festival: A World Community, Day 3

Read "The 2021 Detroit Jazz Festival: A World Community, Day 3" reviewed by Paul Rauch


Day 1 | Day 2 | Day 3 | Day 4 This is the third of four pieces covering the 2021 Detroit International Jazz Festival. Two weeks before the festival, a decision was made to go to a virtual format due to the surge provided by the Delta variant of Covid-19. Three outdoor stages ...

8

Article: History of Jazz

Phil & Me

Read "Phil & Me" reviewed by Keith Henry Brown


When I first came to work at Jazz at Lincoln Center in 2001, I was deeply intimidated. I was hired by Wynton Marsalis himself, and I honestly wasn't sure how I'd do, working with such incredibly smart and talented people. Over time, I settled into a groove and made friends and allies. First among ...

4

Article: In Pictures

Jazz Portraits Part 2

Read "Jazz Portraits Part 2" reviewed by Keith Henry Brown


Part 1 | Part 2 I got my start drawing superheroes, but music has always been my true inspiration. I've worked as a designer and illustrator for several advertising agencies and music labels & as an art director as well for high profile music-related projects, including creating posters for Jazz Appreciation Month, The Newport ...


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