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Freddie Hubbard: On Fire--Live From The Blue Morocco
by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
The Attucks Jazz Club: Fall 2024
by Mark Robbins
In 2008, under the auspices of the Virginia Arts Festival and the leadership of professor/pianist John Toomey, the Attucks Jazz Series was born in the historic Attucks Theater. Before becoming a full-time jazz professor at Old Dominion University, Toomey spent time on the road with jazz trumpeter Maynard Ferguson, singers Mark Murphy, Rene Marie, and others. ...
Kenny Garrett Speaks Through The Soul of His Jazz
by Dean Nardi
Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance ...
Matt Panayides: With Eyes Closed
by Richard J Salvucci
This is a charming recording: reflective, tranquil and built around the compositions of some of the most distinguished players and composers of what ought to be called the American Jazz Songbook. Here you have music written by Wayne Shorter, Joe Henderson, Woody Shaw, Cedar Walton and Chick Corea, to name only the figures in one strain. ...
Russell Gunn: No Safety Net, No Overdubs, Just Pure and Original
by Dean Nardi
One of the reasons podcasts have become so popular is they provide listeners with the experience of hearing people live, raw and unedited with no safety net as opposed to reading an article in a magazine or on the Internet. Even a Question & Answer interview is edited to remove repetitive comments and all the “ums" ...
George Cables: I Hear Echoes
by Joshua Weiner
Pianist George Cables has released a steady stream of albums as a leader since the mid-1970s, but may be best known to listeners as a stalwart side man whose contributions to a slew of classic records by the likes of Freddie Hubbard, Art Pepper, Dexter Gordon, Bobby Hutcherson, Joe Henderson and Woody Shaw never fail to ...
Marco Pennisi: la Red Records di oggi
by Libero Farnè
La foto riportata qui sopra, scattata da Curti Parini, è emblematica perché rappresenta il passato e il presente della Red Records, storica casa discografica milanese che dal 2021 ha ripreso quota, incrementando le sue mirate edizioni. Da sinistra possiamo distinguere Tommaso Belletti (digitale e promozione), Cem Cansu (store manager), l'attuale produttore e responsabile Marco Pennisi, Sergio ...
Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2
by Artur Moral
Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...
Andrew Hill Sextet Plus Ten: A Beautiful Day, Revisited
by Dan McClenaghan
The heyday of pianist Andrew Hill (1931-2007) happened during his hang with Blue Note Records, where he released ten albums between 1963 and 1970, including 1964's Black Fire, a splendid quartet session featuring saxophonist Joe Henderson; 1964's Point Of Departure), that featured a freewheeling sextet that included Henderson, multiple reedist Eric Dolphy and trumpeter Kenny Dorham; ...
Chris Rottmayer: Being
by Richard J Salvucci
One thing is for sure. If a listener comes upon a recording based on the music of Mulgrew Miller and Woody Shaw, there are unlimited possibilities for a harmonic education. Both players were revered for their sophistication and the beauty of the melodies they created. So it hardly seems odd that someone, here pianist Chris Rottmayer, ...
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