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Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2
by Artur Moral
Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...
Andrew Hill Sextet Plus Ten: A Beautiful Day, Revisited
by Dan McClenaghan
The heyday of pianist Andrew Hill (1931-2007) happened during his hang with Blue Note Records, where he released ten albums between 1963 and 1970, including 1964's Black Fire, a splendid quartet session featuring saxophonist Joe Henderson; 1964's Point Of Departure), that featured a freewheeling sextet that included Henderson, multiple reedist Eric Dolphy and trumpeter Kenny Dorham; ...
Chris Rottmayer: Being
by Richard J Salvucci
One thing is for sure. If a listener comes upon a recording based on the music of Mulgrew Miller and Woody Shaw, there are unlimited possibilities for a harmonic education. Both players were revered for their sophistication and the beauty of the melodies they created. So it hardly seems odd that someone, here pianist Chris Rottmayer, ...
Ten Supreme Fender Rhodes Albums
by Chris May
In 1965, reeling from the impact of Motown and the Brit invasion led by the Beatles, and about to be hit by the triple whammy that was acid rock and the rebel culture that went with it, jazz was on the back foot. Its relevance as entertainment, art form and spiritual sustenance was under threat, at ...
Jason Keiser: Kind of Kenny
by Andrew Gilbert
Over the past decade San Jose guitarist Jason Keiser has carved out a sterling reputation as a bandleader whose musical passions range across North America's expansive soundscape, and this album extends his exploration into arrestingly lyrical territory. After highlighting Woody Shaw's treasure trove of intervallic leaping post-bop gems on 2023's Shaw's Groove, he turns his attention ...
Ralph Bowen: Five
by C. Andrew Hovan
Although he's better known in educational circles due to his solid commitment to jazz pedagogy as a member of the faculty at Rutgers University, Ralph Bowen has been a vital member of the jazz community since debuting with the group Out of the Blue back in the mid '80s. His adaptability to a diversity of musical ...
The Paul Carlon Quintet: Blues for Vita The Paul Carlon Quintet
by Nicholas F. Mondello
Blues for Vita provides listeners with an outstanding eight-selection presentation that is a modernized throwback to the days when tenor-trumpet quintets such as Art Blakey and the Jazz Messengers, Lee Morgan's, and Cannonball Adderley's ensembles were the mainstays of jazz labels such as Riverside, Columbia, and Blue Note. The album offers a well-produced mix of straight-ahead, ...
Jared Hall: Influences
by Paul Rauch
Jazz music has proliferated through generations traditionally by means of the oral tradition--meaning that knowledge is passed on by mentors, some by personal connection and others by more casual means. In modern times, this tradition lives alongside the jazz school phenomenon, where classrooms and studios incubate talent, while students inescapably still must pay their dues on ...
Curtis Taylor: Taylor Made
by Jack Bowers
Trumpeter and composer Curtis Taylor's debut album, he writes in the liner notes, “was over twenty years in the making." Ever since he was a teenager, Taylor confesses, he dreamed of recording his music with a group of stellar musicians and calling it Taylor Made. And now he has. The album's cover mirrors ...
The Mosaic Records Story
by Michael Cuscuna
In memory of Mosaic Records co-founder Michael Cuscuna (1948-2024). Although Mosaic Records' first release came out in July of 1983, the seeds for the business were planted in 1970. As a journalist, radio show host and record producer, I began coming into contact with many musicians who had been major players in Blue Note's ...
