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Alex Moxon Quartet: Alex Moxon Quartet
by Jack Bowers
After gigging and teaching in his native Canada for almost two decades, guitarist Alex Moxon has recorded the first album solely under his name, and it is a well-played, mostly middle-of-the-road studio session in which his quartet may not turn any heads but should not turn anyone off either. It is simply pleasant, non-unnerving music--much of ...
Perelman plus Arcado String Trio, Hakan Başar, Neil Swainson and More
by Bob Osborne
On this show the fascinating collaboration of Ivo Perelman with the Arcado String Trio, exciting new sounds from Quintopus, Turkish jazz prodigy Hakan Başar, a reissue featuring the Neil Swainson Quintet with Joe Henderson and Woody Shaw, cool sounds from guitarist Dom Angelo Mongiovi, strangeness from Strange Winds, intercontinental intensity from Cyclone Trio and a Mark ...
Neil Swainson Quintet: 49th Parallel
by Pierre Giroux
For those who are geographically inclined, the 49th Parallel is the location of the Canada/US border that runs from British Columbia to the Manitoba/Ontario line. For those with a more musical inclination, it is the title of a limited edition vinyl LP reissue (of a 1987 CD) on Reel to Reel Records by the Neil Swainson ...
Marvin Stamm: Team Player
by R.J. DeLuke
Trumpeter Marvin Stamm is known for being part of a gazillion albums, having that ability to go into a studio and play exactly what's required, whether it's for a records by pop singers, jazz artists, Paul McCartney, Donny Hathaway or touring with Frank Sinatra. It's a reputation the highly skilled player earned with hard work.
Muse Records: Ten Smoking Hot Albums
by Chris May
Alone among the other great jazz labels of the 1960s and 1970sBlue Note, Prestige, Riverside, Impulse!, Strata-East and AtlanticJoe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...
Ralph Peterson & the Messenger Legacy: Onward & Upward
by Paul Rauch
Generally speaking, legacy bands are created to preserve the music of an artist. They feature innovative interpretations of an artist's compositions or past performances to share with future generations of listeners. In the case of drummer Ralph Peterson, his ambitious efforts to honor the continuum of his mentor Art Blakey are forward thinking, about a collective ...
Fabio Morgera: tradizione e progresso
by Angelo Leonardi
Tornato a vivere in Italia alcuni anni fa, dopo un lungo periodo di studio e attività professionale negli Stati Uniti, Fabio Morgera è uno dei massimi trombettisti della sua generazione e s'è imposto per lo stile estroverso, caratterizzato da intenso feeling e marcato groove. Eclettico per natura, alla leadership in progetti di taglio contemporaneoanche intrisi di ...
Drummers as Bandleaders: An Alternative Top Ten Albums
by Chris May
Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...
Frank Tiberi: The Thundering is Still Heard
by Jim Worsley
The term ninety-two years young" is a bit cliché, but if the shoe fits (oops, another cliché). Saxophonist Frank Tiberi (pictured above playing with saxophonist and long time friend George Garzone to the left) spoke with the verve and energy of a much younger man. He got excited, as if being back in the moment, when ...
Acoustic Jazz in the 70’s - McCoy Tyner, Woody Shaw, Sonny Rollins, VSOP, Scott Hamilton (1972 - 1978)
by Russell Perry
Jazz-rock fusion was a powerful force in the music in the early seventies, but noticeably began to run out of steam mid-decade. European influences began to gain traction as the decade progressed as represented by the rise of ECM. American acoustic jazz musicians, who seemed to be taken for granted, continued to produce fine music and ...





