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259

Article: Album Review

The Joshua Breakstone Trio: No One New

Read "No One New" reviewed by Woodrow Wilkins


The trio is a tried-and-true format for jazz. Every now and then, the form is tweaked a little--instead of piano/organ plus bass and drums, it's guitar, bass and drums. The Joshua Breakstone Trio is part of this sect, and delivers with No One New. The title refers to the leader, who has been a ...

212

Article: Album Review

David Ashkenazy: Out With It

Read "Out With It" reviewed by Woodrow Wilkins


Some music defies description. In the case of drummer David Ashkenazy's Out With It, words can hardly do justice to the varied moods and sounds of this eight-song set. Ashkenazy studied piano and guitar at age nine and later learned to play the drums. His varied musical tastes include reggae, blues, rock, bluegrass, and ...

350

Article: Album Review

Mark Buselli: An Old Soul

Read "An Old Soul" reviewed by Woodrow Wilkins


Big band music never really gets old. That is to say that it doesn't have to sound like it's something from the past and ought to stay there. In the hands of an effective composer, arranger and band leader like Mark Buselli, the swinging sound of large horn sections is bound to please. Buselli, ...

196

Article: Album Review

Edmar Casteneda: Entre Cuerdas

Read "Entre Cuerdas" reviewed by Woodrow Wilkins


The harp is a jazz instrument? Though not as widely appreciated as, say, the saxophone, a few daring souls have taken this classical instrument into the world of improvisation--among them, Dorothy Ashby, Deborah Henson-Conant and Lori Andrews. Colombian-born Edmar Casteneda is another in their ranks. Casteneda began playing harp at age 13. His career ...

195

Article: Album Review

Ralph Bowen: Dedicated

Read "Dedicated" reviewed by Woodrow Wilkins


Many new releases seem to follow one stringent formula or another--whether to deliver cookie-cutter music to the masses, in hopes of getting noticed by commercial radio, or to adopt a certain trend, be it the traditional piano-led trio or covering standards. With that in mind, it's rarely, if ever, a bad thing when an artist or ...

190

Article: Album Review

Tom Beckham: Rebound

Read "Rebound" reviewed by Woodrow Wilkins


In the simplest terms, to rebound is to bounce back. Many people associate it with a statistic in basketball, or the recovery from heartbreak. Musically, it describes what happens when a mallet strikes a vibraphone, or the bouncing off of ideas during improvisation. Tom Beckham does both with Rebound. Beckham is a Maryland native ...

343

Article: Album Review

Sean Nowell: The Seeker

Read "The Seeker" reviewed by Woodrow Wilkins


The group dynamic is a powerful force in jazz. Tenor saxophonist Sean Nowell recognizes that with The Seeker, a set of songs that demonstrate his abilities as a leader, songwriter and soloist, but doesn't ignore those around him. Nowell hails from Birmingham, Alabama. Versed in several styles of music, he has also traveled ...

153

Article: Album Review

Mike DiRubbo: Repercussion

Read "Repercussion" reviewed by Woodrow Wilkins


Seven originals among nine songs usually means the music will be fresh. Originality and improvisation are key ingredients to saxophonist Mike DiRubbo's Repercussion.After playing clarinet in his early years, DiRubbo, a native of New Haven, Connecticut, switched to alto saxophone and later studied under Jackie McLean. His associations include Eric Alexander, Jim Rotondi and ...

684

Article: Interview

Paul Taylor: Creating a Signature

Read "Paul Taylor: Creating a Signature" reviewed by Woodrow Wilkins


One of the knocks on smooth jazz has been that it's too commercial. Being commercial isn't necessarily a bad thing. There's nothing wrong with creating a product with the primary objective being to appeal to as many potential customers as possible. However, when it comes to music, too often the drive for sales, radio play and ...

362

Article: Album Review

Paul Taylor: Burnin'

Read "Burnin'" reviewed by Woodrow Wilkins


It's refreshing when a contemporary artists steps outside the box and revisits an old style of music. Even more so when it's not simply a collection of covers. Paul Taylor scores with Burnin'. A native of Denver and a musical product of the University of Nevada-Las Vegas, Taylor began developing his saxophone skills at ...


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