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Thollem McDonas: Your Letter Must Have Followed Me All Over The World
by Dave Wayne
Coming at improvisational music from the classical realm, pianist Thollem McDonas remains resolutely outside of the main stream of the jazz world. Primarily inspired by, as he puts it in his liner notes to Meeting at the Parting Place, ... “European concert music from the Renaissance to the 20th Century and jazz, particularly of the '60s ...
Sean Noonan e il Questionario di Proust
by Paolo Peviani
All About Jazz: Il tratto principale della mia musica. Sean Noonan: “Questo, questo." “Sì?" “Questo è il CONTRARIO di noioso" (come ha detto qualcuno su http://louderthanwar.com/sean-noonan-cantus-domus-stargaze-haldern-pop-2016). AAJ: La qualità che desidero nei musicisti che suonano con me. SN: Che abbiano sempre voglia di rischiare e che non abbiano ...
Ai Confini Tra Sardegna e Jazz - XXXI Edizione
by Paolo Peviani
Sant'Anna Arresi (CI) 01-10.09.2016 Per questa trentunesima edizione, il festival Ai Confini Tra Sardegna e Jazz ha messo al centro del proprio programma la figura di Frank Zappa. Trattandosi di una manifestazione prevalentemente dedicata all'improvvisazione radicale, la rivisitazione del repertorio zappiano non poteva (non doveva!) limitarsi all'agiografia, al tributo, alla riproposizione ...
Tomo Jacobson: When the sleeping fish turn red and the skies start to sing in C major I will follow you to the end
by Jakob Baekgaard
Every record seeks its ideal listener, but this concept is very abstract and often remains a riddle, but to Polish-born bassist, Tomo Jacobson, his ideal listener is very real and responded in the best possible way to the music on his album When the sleeping fish turn red and the skies start to sing in C ...
I nuovi percorsi del Polish Jazz
by Angelo Leonardi
Una nuova generazione si fa avanti con determinazione sulla scena del Jazz polacco e molti trovano accoglienza nel catalogo della For-Tune. L'etichetta si propone ambiziosamente di “salvare dall'oblio i fenomeni musicali di natura eterna." Non si rivolge esclusivamente al jazz o agli artisti polacchi e il suo catalogo ospita anche lavori di William Parker, Mary Halvorson, ...
Remembering Dominic Duval
by Dom Minasi
Around 1985, I got a call from a close friend and my drummer at the time, Tony Lupo. Tony and I had been friends and playing together since 1963. At that time, we were both into Be-Bop and as we grew in age, our musical tastes and interest leaned towards outside playing. Of course, we never ...
Cortex: Live in New York
by Mark Corroto
Do you remember when you first heard Ornette Coleman's The Shape Of Jazz To Come (Atlantic, 1959)? It could have been fifty years ago or five, but its life force remains. Its music was/is nearly impossible to ignore. The same can be said of the Norwegian quartet Cortex's Live In New York. It sizzles with a ...
Peter Kuhn: No Coming, No Going – The Music of Peter Kuhn 1978-1979
by John Sharpe
In No Coming No Going, the Lithuanian NoBusiness imprint has unearthed a real gem, as part of its continuing exhumation of the New York 1970s loft scene. Reedman Peter Kuhn was a minor presence during the latter half of the decade, releasing three discs under his own leadership, and appearing on dates by Frank Lowe and ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
Stephen Haynes: Pomegranate
by Neri Pollastri
Dedicato alla memoria di Bill Dixon, che gli fu maestro, questo disco di Stephen Haynes è un piccolo gioiello di nitidezza e coerenza, pur mettendo in scena una moderna musica free condotta da musicisti che certo non si sottraggono ad affrontare la complessità e magmaticità di questo genere. Il lavoro, di circa un'ora, si ...
