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Steve Howe Trio: Travelling
by Bruce Lindsay
The boundary between progressive rock and jazz is a fluid one--indeed, it's increasingly unrecognizable, as some of the finest musicians around move effortlessly between and within the genres. Thus Robert Fripp, one of prog's most influential players, can be found in the company of jazz musician Theo Travis, who is himself a member of Soft Machine ...
Steve Howe: Great Guitars and Great Guitarists
by Bruce Lindsay
Steve Howe has been a major figure in contemporary music for over 40 years. He first came to international prominence with Yes; he's a key figure in rock supergroup Asia; and his distinctive guitar style makes him one of the most recognizable players on the scene. His love of jazz is less well-known but it has ...
Take Five with Shauli Einav
by AAJ Staff
Meet Shauli Einav:Shauli Einav is an emerging jazz saxophonist. He has already performed with his ensembles on prestigious stages such as the Red Sea Jazz Festival, The Israel Festival in Jerusalem, The Rochester International Jazz Festival, Tel-Aviv Intl Jazz Festival, The Knitting Factory NYC, Fat Cat, Smalls and more. Shauli has been invited to ...
Edmar Castaneda: Entre Cuerdas
by Russ Musto
Although jazz aficionados have become accustomed to the regular expansion of the music's vocabulary coming from the Caribbean and South America, virtually nothing in the history of the increasingly diverse genre known as “Latin jazz" has prepared audiences for the uniquely innovative sound of Edmar Castaneda. A native of Colombia, Castaneda plays “el arpa llanera," the ...
Libor Smoldas: In New York On Time
by Dan Bilawsky
Guitarist Libor Šmoldas is a known entity within the Prague jazz scene, but In New York On Time should help him to significantly expand his fan base beyond the borders of the Czech Republic. While Šmoldas has largely worked with Czech musicians in a variety of groups, including his trio and quartet which focus on his ...
Fabrizio Sotti: Inner Dance
by Larry Taylor
Guitarist and composer Fabrizio Sotti dedicates his album Inner Dance to two jazz greats, guitarist Wes Montgomery and organist Jimmy Smith. He presents a wide range of compositions, mostly in a low-key, mellow mood. He plays both acoustic and amplified guitars, and his main collaborator here is Sam Barsh on Hammond B-3 organ; their interplay is ...
Martin Taylor's Spirit of Django: Last Train to Hauteville
by John Barron
Often, tribute recordings are nothing more than a way to get over to a wider audience by exploiting the innovations and persona of past musical giants. When done with sincerity, however, a tribute captures the essence of the honoree while eschewing mimicry and blatant commercial intent. Such is the case with Last Train to Hauteville, a ...
Don Ellis: Haiku
by John Kelman
One of the more tragic casualties of the 1970s was Don Ellis. Emerging from the big bands of Maynard Ferguson, Charlie Barnet, and Ray McKinley, the trumpeter began releasing albums under his own name in the early 1960s, distanced from his mentors' more mainstream big band sound. Beginning in small ensembles with free-thinking players such as ...
Resonance Records: Non-Profit Jazz Label with a Mission
by Samuel Chell
It's a story often heard before: musically, these are the best and worst of times. Only this time, in 2010, it seems different. Even as the pool of fresh talent expands, jazz continues to witness a dearth of venues along with the slump in CD sales. Uncounted numbers of talented musicians, young and otherwise, are reduced ...
Larry Coryell: Making the Changes
by Tom Greenland
“This is all Coltrane, from his early/middle/late period, whatever that means!" laughs guitarist Larry Coryell. He is sitting backstage in the green room at Iridium in 2009, describing a chart he is about to try out with organist Joey DeFrancesco. “And then this part here is very much like 'All Blues,' like Miles," he says, humming ...
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