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James Clay: Texas Tenor, Second Generation
by David Perrine
The term Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Mark Kleinhaut, Nat Janoff, Guillermo Bazzola, and Shan Arsenault
by Dom Minasi
Welcome back to Guitarists Rendezvous, our second installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. This installment includes a diverse group ...
Dida Pelled: Telling Stories And Serving Songs
by Dan Bilawsky
When it comes to music, Dida Pelled doesn't discriminate. This young guitarist-vocalist--a doe-eyed ingénue in appearance, a mature artist in reality--has proven to be an inimitable double-threat who's more concerned with serving a song and doing justice to the music than fitting into a neat little stylistic box. She's equally comfortable playing straight-up jazz at Smalls ...
Brad Allen Williams: Lamar
by Jack Bowers
Brad Allen Williams is another in a seemingly endless stream of splendid guitarists dating back to the earliest days of jazz, set apart from the herd on Lamar primarily by choice of instrumentation, material and manner of recording. Williams' trio, whose other members are organist Pat Bianchi and drummer Tyshawn Sorey, have chosen to ...
Kuai Music: Moving Jazz Forward Collectively
by Jakob Baekgaard
The history of jazz is often told as an evolution propelled by great individuals whose singular sounds have helped to shape the aesthetic of the music. This is understandable since artists like Louis Armstrong, Duke Ellington, Charlie Parker, John Coltrane and Miles Davis really DID influence the development of jazz and this is confirmed every time ...
Laid-Back Jazz Guitar: Kenny Burrell and Grant Green
by Marc Davis
When I'm in the mood for jazz guitar, I have two go-to albums: Kenny Burrell's Midnight Blue and Grant Green's Idle Moments. It always surprises me. Growing up in the 1960s and '70s, I was a big fan of hard and fast rock guitars. Who wasn't? Jimi Hendrix, Jimmy Page, Keith Richards, Pete Townsend. ...
Dave Stryker: Messin' with Mister T
by Edward Blanco
Tenor saxophone legend Stanley Turrentine has been gone for some time now but not forgotten and certainly, not by those he performed with for many years. Guitarist Dave Stryker toured with Turrentine for over a decade and has always intended to pay proper respect to the jazz icon who meant so much to him personally. Messin' ...
Wes Montgomery: The Beginning
Back in 2012, Resonance Records released a killer find—Wes Montgomery: Echoes of Indiana Ave. The album featured nine tracks from a tape made of the guitarist in 1957 and '58 at local clubs. I wrote about the album for The Wall Street Journal here. Now, the label has issued more Montgomery marvels—this time a two-CD set ...
John Patitucci: Brooklyn
by Dan Bilawsky
Brooklyn is where it all started for John Patitucci. While the renowned bassist may have initially made his mark in sunny California, working with jazz luminaries and establishing himself as a strong presence in the studio scene in the '80s, his New York childhood helped to get him there. It's that starting point that serves as ...
Pat Martino Trio at Bucks County Community College
by Victor L. Schermer
Pat Martino Trio Kevin and Sima Zlock Performing Arts Center Bucks County Community College Newtown, PA April 23, 2015 In the 1960s and 70s, spurred on by the support he received from the great Les Paul, a youthful guitarist Pat Martino evolved his unique style of controlled intensity, fat" ...


