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Fusion
by Todd S. Jenkins
This article was originally published in 2003. Since the early 1970s, fusion music has served as an appreciable back door for people seeking an entry into the complexities of jazz. The term “fusion" refers to the blending together of jazz, rock, world music, classical, or other influences into a concrete whole. Most often it's ...
Take Five with Wayne Eagles of trio \ DEF
by AAJ Staff
Meet Wayne Eagles: Wayne Eagles is Canadian guitarist/educator known for his unique guitar style, which incorporates diverse influences from textural soundscapes and free jazz to old school fusion and progressive rock. Wayne has played live and in the studio with a long list of local and internationally known musicians including Adam Nussbaum, Ken Rosser, ...
BGO Records: Excellence in Jazz Reissues
by Jakob Baekgaard
In the digital age we live in, there is no doubt that the business of reissuing music is booming. It has never been easier to get music, old and new, in digital or physical form. However, one thing is to re-release a record; another thing is to do it the right way. BGO Records, run by ...
Storia della Fusion
by Mario Calvitti
Storia della Fusion Vincenzo Martorella 281 Pagine Arcana La nuova edizione del saggio sulla fusion di Vincenzo Martorella, pubblicato originariamente da Castelvecchi nel 1998, è molto di più di una semplice ristampa (che già sarebbe stato motivo sufficiente a consigliarne l'acquisto). L'autore ha operato infatti non tanto una revisione del ...
Toronto guitarist Galen Weston gets Plugged In & turned back on with debut album
Guitarist and composer Galen Weston unleashes a lifetime of music on his ambitious debut album, Plugged In. After laying down his guitar for more than a decade, Weston breathes life into his almost forgotten songs, recording 10 original tracks and two covers with fine craftsmanship and intense focus, while showcasing an unwavering dedication to tonal quality ...
Barry Altschul's 3dom Factor: Tales of the Unforeseen
by Karl Ackermann
Barry Altschul made his mark on the musical world at a time of both turmoil and guarded acceptance. Charles Lloyd's quartet, with the unknown pianist Keith Jarrett, was bridging a gap with psychedelic rock at the Fillmore West; Miles Davis' Bitches Brew (Columbia, 1970) along with the work of groups like Weather Report, the Mahavishnu Orchestra ...
Light of the Supreme: Carlos Santana’s Devadip Trilogy
by Rob Caldwell
To the casual music fan in 1971 Carlos Santana appeared as if he was on top of the world. His band's appearance at Woodstock two short years earlier, plus their cover of Fleetwood Mac's “Black Magic Woman" had catapulted him to stardom. Yet, behind the scenes, his band was splintering. Different musical and personal objectives, plus ...
Dhruv: Voyage
by Ian Patterson
It's been a few years since Berklee-trained guitarist/composer Dhruv Ghanekar last crossed AAJ's radar. That was at the Borneo Jazz Festival 2011, where his quartet powered through a jazz-fusion set of the highest order. For his second recording as leader the Mumbai guitarist--who has performed with sarangi maestro Sultan Khan, Zakir Hussain and Scott Kinsey--shows off ...
Burlington Discover Jazz Festival: Burlington, VT, June 5-14, 2015
by Doug Collette
Burlington Discover Jazz Festival Burlington, VT June 5-14, 2015 The continuing success of the Burlington Discover Jazz Festival not only elevates the level of participation in the city's music scene for the duration of each annual run, but also shines a light throughout Vermont's Queen City to illuminate the variety of venues ...
Weekend Extra: Steps Ahead, Still Ahead
The modern jazz sub-genre called jazz fusion emerged in the 1960s, attracted a wide audience and received extensive radio air play through the second half of the twentieth century. The music combined elements of rhythm and blues, jazz, rock, funk and, often, time signatures that were challenging for both musicians and listeners. Fusion came in for ...
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