Results for "violin"

Joe Deninzon

Born: December 3, 1974

JOE DENINZON
www.joedeninzon.com

Joe Deninzon has been hailed by critics as “The Jimi Hendrix of the Violin,” because of his innovative style on the “Viper” seven-string electric violin. In addition to leading Joe Deninzon & Stratospheerius, Joe is the violinist/guitarist for classic rock band Kansas.

He has worked with the Who, Bruce Springsteen, 50 Cent, Sheryl Crow, Ritchie Blackmore, Alex Skolnick, Smokey Robinson, Les Paul, Peter Criss from KISS, Michael Sadler, Renaissance with Annie Haslam, Phoebe LeGere, Kurt Elling, and as a soloist with Jazz at Lincoln Center and the New York City Ballet.

David Cross

Born: April 23, 1949

Early days: 1949-1960 Father was a church and cinema organist and played piano in dance bands. David started learning violin at the age of nine. First violin bought from a junk shop for £1.00. Played right back for school football team. Education: 1960-1967 Secondary school: A levels in Latin, Greek and Ancient History. Rugby player (Captain and Scrum-half). Started improvising. 1967-1970 Certificate of Education specialising in Music and Drama. Leader of College Orchestra. Formed folk rock band. 1993-1995 M.A. in Performing Arts (interdisciplinary performances, papers on structure in post-modern art music, the hermeneutics of rock journalism). Career: 1970-1972 Musician, Composer

Sara Caswell

2018 Grammy Nominee Sara Caswell “is a brilliant world-class violinist…one of the very best of the present generation of emerging young jazz stars” according to the late David Baker, internationally-renowned jazz educator and former Director of the Smithsonian Jazz Masterworks Orchestra. Rooted in an early exposure to a variety of musical genres, Sara’s technical facility intertwined with her gift for lyricism continue to attract growing attention to her artistry as a jazz soloist, sideman, and teacher. Recognized as a “Rising Star” in the DownBeat Magazine Critics and Readers Polls every year since 2013, Sara’s two groups (the Sara Caswell Quartet and the Caswell Sisters Quintet) have been heard in venues ranging from Jazz at Lincoln Center’s Dizzy’s Club to university concert halls nationwide

Regina Carter

Born: August 6, 1966

Regina Carter combines exciting technical proficiency and improvisation with an aggressive approach to her instrument, adding multicultural influence. Her playing is melodic, yet percussive. "People are only used to hearing violin in European classical music or country music," says Carter, "and so we get stuck in this idea that this is what a violin is supposed to do. And it's such a precious instrument and such a delicate instrument... That's what people think: it's such a small, delicate little thing. Even sometimes I play with classical players in a quartet and part of the piece might call to use the back of the bow, the wood, to hit on the string to get a percussive effect or to get a different sound, and they'll say, 'I'm not going to bang on my instrument like that. This violin cost way too much money.'They don't think of it as another way of playing the instrument

John Blake

Born: July 3, 1947

John Blake, Jr. has been one of the world’s leading jazz violinists for over four decades. A four-time winner of the Down Beat Critics’ Poll Violinist Deserving Wider Recognition category he was also one of the top two jazz violinists in the 49th, 50th, and 51st Down Beat Readers’ Poll, Classically trained, Blake first gained recognition on early-'70s recordings he made with Archie Shepp and in the mid-70s became established with a global audience during three years recording and touring as a member of Grover Washington, Jr.’s popular “crossover” jazz band. He then spent five years working extensively as a member of various ensembles led by pianist McCoy

Eddie South

Born: November 27, 1904

Eddie South - violin, bandleader (1904 - 1962) Rarely mentioned now, the violin was an important part of Jazz during it's formative years! It was heard in the earliest New Orleans bands and was present in most all the new 'Dance' bands at the start of the 20th Century. In fact, violin sections continued to be a part of the jazz music scene right on up to the Swing Era. Eddie South born on Nov 27, 1904, in Louisiana, MO, began his career in the 1920s. Due to his Classical Music training, (from Chicago Music College) he would probably have chosen to be a 'classical' musician, but, unfortunately, in those days the color of his skin precluded that option. Starting in the early 1920s, South worked in such Chicago bands as Jimmy Wade's Syncopators, the Charlie Elgar Band, and Erskine Tate

Stuff Smith

Born: August 14, 1909

In the era of early jazz and swing, the violin was often an instrument that carried a hint of an old-fashioned sound—a suggestion of classical music, of the high-society dance orchestra, of the gypsy café music of Europe. But Stuff Smith, considered one of the most important jazz violinists of his time, made music that told a different story: Smith's violin was raucous, rhythmically daring, and bluesy, looking toward the future, not the past. Like most great jazz players, Smith pushed the envelope in his playing, and later in his career he adapted with little difficulty to the new musical language of bebop

Zbigniew Seifert

Born: June 6, 1946

Zbigniew Seifert was an outstanding figure in Polish jazz. When he died he was less than 33 years old. Although his legacy is small, its artistic value until today admires.

Billy Bang

Born: September 20, 1947

The violin is hardly the first instrument that comes to mind when you think about jazz, but that's never daunted Billy Bang, one of the instrument's most adventurous exponents. Over the past 26 years Bang's hard-edged tone, soulful sense of traditional swing and evocatively expressive style has enhanced over two dozen albums by top names in a variety of genres, from the blistering funk of Bootsy Collins and the harmolodic groove of Ronald Shannon Jackson's Decoding Society to the intergalactic uproar of Sun Ra. With more than 15 albums under his own leadership, nearly a dozen more in co-led endeavors, and five more with the String Trio of New York (which he co-founded in 1977 with guitarist James Emery and bassist John Lindberg), Billy Bang is one of the more prolific and original members of the progressive scene

Svend Asmussen

Born: February 28, 1916